Andrea del Verrocchio Quotes Buy Art Prints Now
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by
Tom Gurney BSc (Hons) is an art history expert with over 20 years experience
Published on June 19, 2020 / Updated on October 2, 2026
Email: tomgurney1@gmail.com / Phone: +44 7429 011000

Attributable quotes from the Early Renaissance are famously tricky to source, even for the most famous of names, and sadly little work was done to seek out comments made by Andrea del Verrocchio

The biggest reason for this lack of content is simply because Andrea del Verrocchio's career did not reach the same levels as artists like Leonardo da Vinci, Michelangelo and Raphael. As such, his career ouevre has never received as much attention by art historians or researchers.

In most cases his achievements and personality were discussed from the point of view of his role as master to a number of great names, rather from that of his own work. It would always be interesting, for example, to understand more about how he felt about his pupils such as Sandro Botticelli and Da Vinci. But what about his views on his own work? And how did he view the different mediums in which he was involved?

That said, Andrea del Verrocchio was certainly by no means a complete unknown. His career was well researched centuries ago by the major art historians of the time, and reported on favourably. Such literature from the likes of Giorgio Vasari provides us with the best clue as to how he was viewed during his own lifetime as well as in the early years soon after.

Famous Quotes by Andrea del Verrocchio

Quotes and Opinions by Art Historians and Artists about Andrea del Verrocchio

Frequently Asked Questions

Are there many reliable quotes by Verrocchio?

Reliable first-person quotations by Verrocchio are limited, so this page should avoid presenting later anecdotes as direct evidence without qualification.

Why keep a quotes page?

A quotes route can help organise reception, later commentary and claims about Verrocchio's workshop, provided each statement is clearly sourced.

Can quotes prove an attribution?

No. Quotations and anecdotes may support context, but object attributions should rest on museum records, catalogues, technical evidence and scholarly argument.

Which topics need most caution?

Leonardo anecdotes, workshop rivalry, and claims that Verrocchio abandoned painting need particularly careful wording.

Where should readers go next?

Use Biography, Paintings and Baptism of Christ for fuller context.

Discussion

Which workshop or attribution detail best explains this page's interpretation?

Reader Insights

Reading Tip

Start with object context, then compare dates and medium across nearby Verrocchio routes.

Cross-route Lens

Use paintings, sculpture, and drawing hubs to check consistency of workshop attribution language.

Open Question

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References

  1. National Gallery of Art, artist entry, Andrea del Verrocchio, accessed 20 August 2026.
  2. National Gallery, London, artist entry, Andrea del Verrocchio, accessed 20 August 2026.
  3. Treccani, Andrea del Verrocchio, accessed 20 August 2026.