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Tom Gurney BSc (Hons) is an art history expert with over 20 years experience
Page Created on August 30, 2026 / Page Updated on November 6, 2026
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James Ensor Biography: Introduction

James Ensor spent nearly nine decades in Ostend, but his life was never confined to one attic or reduced to one eccentric persona. The seaside city gave him a family home, a shop full of unusual objects, a changing coast and a dependable place to work. Brussels supplied formal training, friendships, arguments and exhibition politics. Collectors, writers and museums carried his art farther still. The resulting career belongs to a sociable, combative and unusually versatile artist who used painting, drawing, printmaking, writing and music to keep entering public debate.

This James Ensor biography follows that long exchange between place and network. It also provides a chronological route into the wider James Ensor guide, where his life can be followed into the separate stories of his paintings, prints and drawings and masks, carnival and satire.

At a Glance

  • LifeJames Sidney Ensor (13 April 1860–19 November 1949) was born and died in Ostend, Belgium
  • Familythe son of an English father and a Belgian mother; his family kept a souvenir and curiosity shop and rented rooms to visitors
  • Trainingafter local drawing lessons in 1876, he spent three years at the Brussels academy beginning in 1877
  • Important circlesthe Hannon and Rousseau families, fellow academy students, Les XX, Ostend cultural groups, critics, collectors and museum patrons
  • Practicespainting, drawing, etching, writing, public speaking, music, costume and stage design
  • Recognitioninstitutional print purchases from the 1890s, growing Belgian and German attention after 1900, major exhibitions and state honours, culminating in his elevation to baron in 1929 [1][2]

James Ensor in context

Movement context
1840186018801900192019401960

Realist contexts

c. 1840–1900

Symbolism

c. 1880–1910

Expressionism

c. 1905–1930

1860–1949
Lifetimes
18001840188019201960

Édouard Manet

1832–1883

Claude Monet

1840–1926

Georges Seurat

1859–1891

James Ensor

1860–1949

Edvard Munch

1863–1944

Paul Klee

1879–1940

Contents

  1. Introduction
  2. Ostend Beginnings, 1860–1876
  3. Brussels Training and the Rousseau-Hannon Circle, 1877–1880
  4. Debut, Rejection and the Founding of Les XX, 1881–1884
  5. Experiment, Masks and Family Responsibility, 1885–1893
  6. Prints, Collectors and Recognition beyond Belgium, 1893–1914
  7. Writer, Musician and Advocate, 1896–1924
  8. The Vlaanderenstraat House and the Making of a Public Figure, 1915–1929
  9. Last Decades and Death in Ostend, 1929–1949

Ostend Beginnings, 1860–1876

James Sidney Ensor was born in Ostend on 13 April 1860. His father, James Frederic Ensor, was English by nationality; his mother, Maria Catharina Haegheman, was Belgian and from Ostend. Their daughter Maria Carolina Emma, usually called Mariette or Mitche, was born the following year. Because James inherited his father’s nationality, he remained British for most of his life even though Ostend was his birthplace, home and principal subject. He did not seek Belgian naturalisation until 1929. [2]

The family’s livelihood joined domestic life to the seasonal economy of a seaside resort. They let rooms to summer visitors and operated a shop selling souvenirs and curiosities. Shells, fans, textiles, chinoiseries and carnival masks belonged to this commercial environment before comparable objects entered Ensor’s art. That connection matters, but it should not be turned into a simple origin story in which every later mask has one fixed childhood meaning. The shop provided objects to look at and rearrange; Ostend’s carnival offered a living culture of disguise; the artist later made both serve many different formal, comic and critical purposes. [1][2]

Ensor attended the Collège Notre-Dame in Ostend. In 1876 he took lessons at the local drawing school and made small studies from nature during the warmer months. KMSKA’s current account also describes him painting outdoors by the age of sixteen. The beach, sea, roofs, dunes and variable coastal light became recurring material, not picturesque scenery left behind after youth. They would coexist with interiors, portraits, religious subjects, crowds, still lifes and grotesques throughout a career whose range is easier to see in the paintings overview. [1][2]

Ostend could be a base without being a retreat. It was a resort, port and meeting place whose population and appearance shifted with the seasons. The family business brought strangers to the house, while the streets and beach exposed Ensor to tourism, popular entertainment and civic change. Later archives document his contacts with figures in art, literature, science, politics and law. The evidence therefore challenges the durable image of a wholly unsociable artist sealed inside a shell shop. [3][5]

Brussels Training and the Rousseau-Hannon Circle, 1877–1880

In 1877 Ensor left for the Royal Academy of Fine Arts in Brussels, where he studied until 1880. Jean-François Portaels directed the academy, and fellow students included Fernand Khnopff, Willy Finch and Théo van Rysselberghe. Several would become visible in the progressive exhibition culture of the next decade. Academy work gave Ensor sustained experience of drawing from models, composing figures and handling established conventions even when he came to oppose its ideals. Some academic studies were later reworked into markedly different images, evidence that training remained physical material he could revisit rather than merely reject. [2][4]

Equally important was the social education that took place outside the classroom. The poet, painter and critic Théo Hannon introduced Ensor to the household of Ernest Rousseau, a professor at the Université Libre de Bruxelles, and Mariette Rousseau Hannon, a scientist. Their home brought together artistic, literary and scientific guests. Ensor probably encountered figures such as the printmaker Félicien Rops and the writer Eugène Demolder through this liberal, intellectually mixed circle. More securely, his long friendship and correspondence with members of the Rousseau family became part of the network that connected Ostend to Brussels. [2][3]

This setting complicates the familiar story of Ensor as an academy rebel who developed entirely alone. He did become sharply critical of academic prescriptions, and a late-1894 letter studied by Art Institute of Chicago scholars helps explain his resistance to the classical art theory taught in European academies. Yet disagreement did not erase what he had learned or whom he had met. His later experiments in line and the grotesque remained grounded in formidable drawing experience, while friends helped provide conversation, audiences and access to exhibitions. [9]

After leaving the academy in 1880, Ensor returned to his parents’ home and established a studio in its attic. Willy Finch sometimes worked there with him. Ensor would live in Ostend for the rest of his life, but he returned regularly to Brussels and participated in the capital’s artistic world. He travelled comparatively little, making only a limited number of trips to places including the Netherlands, London and Paris. Limited travel should not be mistaken for isolation: artworks, letters, journals, exhibitions and visitors moved continually between his coastal studio and wider European networks. [2][3]

Debut, Rejection and the Founding of Les XX, 1881–1884

Ensor exhibited with the progressive Brussels circle La Chrysalide in 1881 and joined L’Essor soon afterwards. His early public identity rested on seascapes, still lifes, portraits and scenes of modern bourgeois interiors rather than the masks for which he later became famous. The ambitious The Oyster Eater of 1882 belongs to this moment. Its luminous table setting and absorbed female sitter showed how everyday observation, colour and light could carry the scale of a major Salon painting. It also became part of the rejection history around which Ensor shaped his public combativeness. [1][2][13]

Juries and critics did refuse works, including The Oyster Eater, and Ensor remembered such episodes bitterly. But refusals were only one part of his early position. He was already exhibiting, arguing in print and moving among artists who wanted alternatives to established Salons. In 1883 he joined former academy colleagues and other artists in breaking from L’Essor to establish Les XX, or Les Vingt. With Octave Maus as secretary, the group became an important platform for new Belgian work and international avant-garde movements. Ensor was therefore not an outsider looking through a closed institutional window; he helped build a different institution. [1][2]

Les XX also brought friction. Ensor’s loyalty to the group did not mean harmony with its members, and the reception of his work could be hostile even inside progressive circles. Those tensions fed his rhetoric about critics, rivals and incomprehension, but they should not conceal the practical value of regular exhibitions and exchanges. Between 1881 and 1940, KMSKA research indicates that he participated in at least one exhibition in almost every year, often several. The record is one of persistent public participation, not withdrawal after a few notorious rejections. [11]

The early 1880s established habits that lasted: Ensor could seek recognition while mocking the systems that granted it; cooperate with artists while quarrelling with them; and transform resentment into self-presentation without ceasing to work through groups. Les XX gave that contradictory stance a stage. When the association dissolved in 1893, he opposed the decision, yet he subsequently showed with its successor, La Libre Esthétique. Conflict and connection remained intertwined. [2]

Experiment, Masks and Family Responsibility, 1885–1893

From about 1885 Ensor gave concentrated attention to drawing and etching. He tested how line, blank paper and sharp tonal contrast could do things different from oil paint, while his subjects expanded through religious imagery, literature, caricature, Japanese prints and the art of Rembrandt, Goya and Bruegel. The enormous joined-sheet drawing The Temptation of Saint Anthony of 1887–88 demonstrates the scale of that graphic ambition. Its fantastic episodes are not a secondary rehearsal for painting; they make drawing itself an arena for accumulation, revision and invention. [2][9]

Masks, skeletons and crowds became increasingly prominent during the same period. Masks Confronting Death of 1888 places painted faces and mortality in an encounter that remains deliberately unstable. The monumental Christ’s Entry into Brussels in 1889, painted in 1888, turns a procession into a collision of religion, politics, advertising, carnival and urban spectacle. In the smaller Self-Portrait with Flowered Hat, begun in the later 1880s and subsequently altered, identity is something performed and revised. These works help explain why MoMA describes masking, travesty, role-playing and social engagement as connected aspects of Ensor’s modernity. [4][7][12][14][15][21]

An important change in private circumstances occurred at the same time. Ensor’s father died in 1887. James then assumed substantial responsibility for a household that included his mother, his aunt Mimi, his sister Mitche and his niece Alexandrine, as well as for aspects of the family shop that remained a central source of income. Around 1888 he met Augusta Boogaerts. Their relationship continued for the rest of his life, although they did not share a home. Boogaerts belonged to the human network around the artist, as did relatives, friends and later patrons; she should not be reduced to a decorative “muse” or used to force a biographical key onto individual works. [1][2][5]

Nor should family strain be used to diagnose the masks and skeletons. Ensor’s imagery drew on Ostend carnival, shop objects, old-master art, contemporary caricature, exhibition conflict, political crowds and the material opportunities of different media. Its meanings shift from one work to another. The Intrigue of 1890, The Astonishment of the Mask Wouse of 1889 and Skeletons Fighting over a Pickled Herring of 1891 may share a grotesque vocabulary, but each organizes spectatorship, humour and hostility differently. The masks, carnival and satire guide follows those differences rather than treating disguise as a diagnosis. [1][4][7][16][17][18]

The dissolution of Les XX in 1893 closed one exhibition structure, not Ensor’s public career. He resisted the decision and continued to be invited by La Libre Esthétique. That year the Print Room of the Royal Library in Brussels acquired a substantial group of his etchings. Dresden’s Kupferstichkabinett followed in 1894, and Vienna’s Albertina in 1899. Such purchases materially contradict the legend that the 1890s were a blank interval of universal neglect. [2]

Prints, Collectors and Recognition beyond Belgium, 1893–1914

Printmaking changed the geography of Ensor’s reputation. Etchings were portable, could exist in multiple impressions and could be reprinted or hand-coloured. Museums and collectors could assemble bodies of graphic work even when large paintings were difficult to see. The institutional acquisitions in Brussels, Dresden and Vienna created durable public records of Ensor’s art, while his first solo displays and participation in La Libre Esthétique kept him before audiences. The separate prints and drawings guide explains how plates, states, paper and later colouring complicate the idea of a single definitive impression. [2][5]

Around 1900, artists and critics in the German-speaking world began to recognise the challenge Ensor posed to classical Western European values. The archived Flemish Art Collection biography names Alfred Kubin, Paul Klee, Emil Nolde, Ernst Ludwig Kirchner, George Grosz, Herbert von Garvens-Garvensburg and Wilhelm Fraenger among those who responded to his innovations. KMSKA’s current overview more cautiously emphasises a German breakthrough and Ensor’s influence on Klee. The safest conclusion is not that every later Expressionist simply descended from him, but that his masks, nervous line, raw colour and satirical distortion acquired a new relevance for early twentieth-century viewers. [1][2]

Recognition also depended on advocates. The writer and painter Emma Lambotte met Ensor in the early 1900s, wrote about him and, with her husband, collected his work. Through her he met the Antwerp collector François Franck, another important supporter. In 1905 the Antwerp association Kunst van Heden staged a major Ensor exhibition. Members purchased paintings that later entered KMSKA, helping to form what is now the world’s largest and most diverse museum collection of his art. This was not fame arriving by accident: writers, collectors, associations and artists built the channels through which works moved into exhibitions and institutions. [1][2]

Public honours began to accompany that support. Mu.ZEE’s archive research records Ensor’s appointment by royal decree as a Chevalier in the Order of Leopold in 1903, with later promotions in the order. In 1908 Émile Verhaeren published an extensive monograph, and in 1913 Herbert von Garvens-Garvensburg issued an early catalogue of the prints. The sequence matters. Formal recognition grew through several kinds of evidence—purchases, publications, exhibitions and honours—rather than through one sudden reversal from failure to triumph. [2][10][19][20]

Writer, Musician and Advocate, 1896–1924

Ensor increasingly used words as another public medium. From the 1890s he published art criticism and satire, prepared speeches and became a sought-after banquet speaker. His prose could pile up puns, invented words, mock-heroic claims and attacks, making it difficult to separate argument from performance. KMSKA’s study of the manuscripts stresses that writing served several purposes: practical communication, preparation for speeches, literary ambition, assertion of his position and support for causes. It was not merely a substitute activity taken up after “real” artistic invention had ended. [3][8]

He used newspaper pieces and public addresses to discuss art, but also local and ethical issues. He opposed damage to the coastal dunes, commented on modern architecture and urban change, and spoke against vivisection. Mu.ZEE’s archive identifies environmental questions—including dune preservation, Ostend harbour plans and transformations in other Belgian cities—as a substantial part of his socially engaged record. These interventions make the civic Ensor visible beside the studio artist. His attachment to Ostend included criticism of what happened to its landscape, not only affectionate seascapes. [2][5]

Music enlarged that public persona. Ensor created La Gamme d’amour, a ballet-pantomime for which he wrote the libretto and music and devised décor and costumes. The project was completed in 1911 and performed at the Antwerp opera in 1924. His ambitions crossed categories: words could be visual and theatrical, paintings could stage processions, and music could belong to a designed spectacle. KMSKA’s overview accordingly presents the older Ensor as an author, composer, costume designer and speaker as well as a painter. [1][2]

The KMSKA archive now makes the scale of his communication especially clear. Its 617 records include manuscripts, letters, postcards, photographs and related ephemera, with correspondents ranging from family members to critics, artists and dealers. Mu.ZEE’s archive adds notebooks, speeches, exhibition material and exchanges among people in his circle. Together they replace a monologue of grievance with a network of conversations—even if Ensor often tried to command those conversations in unmistakably Ensorian style. [3][5]

The Vlaanderenstraat House and the Making of a Public Figure, 1915–1929

Ensor’s mother died in 1915 and Aunt Mimi in 1916. In 1917 he moved into a house inherited from an uncle on Vlaanderenstraat, or Rue de Flandre. Because addresses and numbering have changed across the relevant buildings and periods, it is safest to identify it as the house now presented by the official James Ensor House at Vlaanderenstraat 29. The museum states that Ensor worked and lived there from 1917 until his death; its surviving rooms, furniture and documentary displays connect private space to his increasingly public life. [2][6][19]

The move did not inaugurate a secluded final phase. Visitors, correspondence, exhibitions, performances and civic activity continued. Editions of his writings appeared during the 1920s. La Gamme d’amour reached the Antwerp stage in 1924. His work was collected and reassessed, while the artist cultivated the role of a decorated elder who could still tease the institutions celebrating him. The house became both workplace and destination: its present museum interpretation devotes distinct attention to interiors, criticism, public life, masks and strange figures. [6][8]

Recognition reached a conspicuous peak in 1929. A large Brussels retrospective brought major works before the public, including The Temptation of Saint Anthony after a long interval out of view. Ensor, who had retained his father’s nationality, sought Belgian naturalisation that year in connection with receiving the title of baron. King Albert I conferred the barony, turning an artist who had built his identity partly through opposition into an official national figure. [2][9][12]

That transformation was real but not complete. The baron did not erase the satirist, and public honour did not retroactively make every earlier work understood or accepted. Ensor could welcome ceremonies while puncturing their dignity. KMSKA notes that he later unveiled his own statue in Ostend, one more episode in which recognition became performance. The self-conscious older artist was adept at participating in his monument while keeping enough distance to mock it. [1][12]

Last Decades and Death in Ostend, 1929–1949

Ensor’s last twenty years brought retrospectives, distinguished visitors and a settled place in accounts of modern art. A surviving 1936 radio interview records him speaking in the Ostend dialect, evidence that local identity remained active even after international recognition. During these decades he continued writing, speaking, revisiting subjects and working across genres. His output did not repeat the concentrated experimental transformation of the later 1880s, but it should not be collapsed into a single story of decline. Still lifes, landscapes, portraits, masks, religious images, drawings, prints, music and prose had different chronologies and different audiences. [1][2]

The breadth matters when looking back from famous works. MoMA places Ensor within the Belgian avant-garde and treats him as an important precursor to Expressionism, but its account also emphasises allegorical light, satire, carnival, performance, self-fashioning and engagement with contemporary questions. No one label contains that combination. Even “painter of masks,” the nickname associated with his German reception, describes only one entrance into the work. [1][7]

Ensor died at the Heilig Hart, or Sacred Heart, hospital in Ostend on 19 November 1949. He was eighty-nine. By then the artist once embattled over Salon refusals had become a baron, a monument in his city and a reference point for later modernists. Yet the archives leave a more useful legacy than celebrity alone: thousands of connections among works, letters, people, exhibitions and places. They show a man rooted in Ostend but repeatedly present in Brussels, travelling little but communicating widely, accepting honour while continuing to provoke, and making public life itself part of his art. [1][3][5]

Follow James Ensor's career through four stages

1860–1880

Ostend, Brussels and the academy

Ensor grew up in Ostend, trained locally and studied at the Brussels academy from 1877 to 1880. The return to his family home did not end his contact with the capital's artists and exhibition culture.

1880–1885

Interiors, still lifes and Les Vingt

Domestic interiors, portraits, still lifes, dunes and marine subjects established Ensor's command of atmosphere and light. In 1883 he helped found Les Vingt, joining a Brussels network for new international art.

1886–1891

Print, fantasy, masks and crowds

Etching, ambitious drawing, caricature, religious crowds, masks and skeletons transformed Ensor's practice. Different media became connected laboratories rather than a simple sequence of styles.

1892–1949

Revision, repetition and recognition

Ensor continued to paint, draw, print, write and revisit earlier subjects as museums and international artists increasingly recognised his work. Later fame did not erase the variety or contradictions of his long career.

Researched works directory

This searchable evidence census was assembled from public museum records and a reproducible Wikidata snapshot. It is not a catalogue raisonné, a claim to complete oeuvre coverage, or a substitute for Xavier Tricot's printed catalogue, which was not consulted for this directory.

1515 artworks

NameDateMedium
1. Decor (uit: La Gamme d'Amour)1929Print
10. Hélio (uit: La Gamme d'Amour)1911–1929Print
11. Murmuramis (uit: La Gamme d'Amour)1912–1929Print
12. Grimacet, Craco-Cigaret... (uit: La Gamme d'Amour)1929Print
13.-14. Popofigue & Germina (uit: La Gamme d'Amour)1912–1929Print
15. Puerilla & Pollen (uit: La Gamme d'Amour)1912–1929Print
16. Muzikanten II (uit: La Gamme d'Amour)1929Print
17. Vuurwerkboeket (uit: La Gamme d'Amour)1929Print
18. De schelpen (uit: La Gamme d'Amour)1929Print
19. Het Luminisme - het Kubisme - de Gravure (uit: La Gamme d'Amour)1912–1929Print
2. Brutonne (uit: La Gamme d'Amour)1911–1929Print
20. Spar - Huisje uit Neurenberg - Racket (uit: La Gamme d'Amour)1911–1929Print
21. Duivel - Houten soldaat - Pop (uit: La Gamme d'Amour)1912–1929Print
22. Cimbaalspelers (uit: La Gamme d'Amour)1917–1929Print
3. Grognelet (uit: La Gamme d'Amour)1929Print
3 studies van een dame met parasol1880Drawing
4. Miamia (uit: La Gamme d'Amour)1929Print
5. De bedelares (uit: La Gamme d'Amour)1929Print
6. Fifrelin (uit: La Gamme d'Amour)1929Print
7. Muzikanten (uit: La Gamme d'Amour)1911–1929Print
8. Pituiton met de lange neus (uit: La Gamme d'Amour)1929Print
9. Corylopsis (uit: La Gamme d'Amour)1911–1929Print
A Colourist1880Painting
A field with a working man and womanDate unknownDrawing
A Gust of Wind at the Edge of the Forest (Coup de vent a la lisiere)1888Print
A l'aube1880Drawing
A Man and a WomanDate unknownDrawing
A Path in a Wood1879Painting
Aanbidding door de koningen1921Print
Aanstormend legerDate unknownDrawing
Aantekeningen van James EnsorDate unknownDrawing
Acacia1888Print
Academic study of a nudeDate unknownDrawing
AccaciaDate unknownDrawing
Adam and Eve expelled from Paradise1887Painting
Adoration des Bergers1888Print
Affiche van "Salon des Cent", Parijs1888–1898Print
Affiche van "Salon des Cent", Parijs1898Print
Affiche voor het carnaval van Oostende1931Print
After the storm1880Painting
Afternoon in Ostend1881Painting
Album Containing Drawings and Illustrated Letters1883Drawing
Algérienne à la crucheDate unknownDrawing
Alimentation doctrinaire1889Print
Anatomische studie en twee figurenDate unknownDrawing
Anger1904Print
Anger (La colere)1904Print
Antiek pistoolDate unknownDrawing
Antieke kop1870Drawing
Arabische ruiter door leeuw aangevallen1880Drawing
Arabische ruiter en paardDate unknownDrawing
Arabische ruiter in galopDate unknownDrawing
Arms and HandsDate unknownDrawing
Astonishment of the Mask Wouse1889Painting
Au conservatoire1902Painting
Auto-da-fe1893Print
Autoportrait auprès d'une lampe1886Print
Autumn Flowers1938Painting
Avarice1904Print
Avarice (L'avarice)1904Print
Azaleas1925Painting
BabyDate unknownDrawing
Baby en arm1870Drawing
Bacchanal1877Painting
Back of a Chair1880Painting
Badkoets, bruggetje en kleine marineDate unknownDrawing
Bal masqué à la MonnaieDate unknownDrawing
Ballet1921Print
Balletscène1900Drawing
Baptism of the Masks1891Painting
Baron James Ensor, his bad angel, his coat of arms1934Painting
Barques échouées1888Print
Bataille des éperons d'or1895Print
Bataille entre llion et tigre1880Drawing
Bateaux à vapeur, PK.MP.048981889Print
Bateaux à vapeur, PK.MP.048991889Print
Bathers (Curved and Wavy Lines)1916Painting
Bathing-hut1876Painting
Battle of the beggars Désir and Rissolé1888Print
Battle of the Beggars Desir and Rissole (Combat des pouilleux Desir et Rissole)1888Print
Battle of the Golden Spurs1890Print
Battle of the Golden Spurs1895Print
Battle of the Golden Spurs1897Print
BaviaanDate unknownDrawing
Beach at La Panne1904Print
Beached Boats1888Print
Bed met troonhemelDate unknownDrawing
BedkastDate unknownDrawing
Beeldje op consoleDate unknownDrawing
Beggars Receiving Alms at the Door of a House1880Drawing
Bejaarde manDate unknownDrawing
Belgium in the Nineteenth CenturyDate unknownDrawing
Belgium in the XIXth Century1889Print
Berceuse de mon ballet: La gamme d'amourDate unknownDrawing
BergpadDate unknownDrawing
Bibelots1935Painting
Biblical Scene1877Painting
Bijbelse scènes, uitgeveegd1870Drawing
Biljartspelende geraamten1903Drawing
BloemDate unknownDrawing
Bloemen en vlinders1889Painting
Blue Flask and Chicken1925Painting
Boats Aground1888Print
Boer met paardenspan en Marie ColombierDate unknownDrawing
Bolhoed en schoen1880Drawing
BomenDate unknownDrawing
Bootje en figuur1880Drawing
Bosgezicht in Groenendaal1888Print
Bosgezicht te Groenendaal1888Print
Bosje1888Print
Bosrand1878Drawing
Boulevard d'Iseghem, Ostende1889Print
Boulevard Van Iseghem, Ostend1889Print
Bouquet d'arbres, MPM.V.V.261.0031888Print
Bouquet d'arbres (PK.MP.04890)1888Print
Bouquet d'arbres, PK.MP.048911888Print
Breakwater1887Print
Breiende vrouw en hondjeDate unknownDrawing
Bronze pot with Apparitions1880Drawing
Bruggetje (?)1889Drawing
Bust1887Print
Buste1887Print
Buste (PK.MP.01223)1887Print
Cabbages1890Painting
Caesar's Denarius1888Print
Café-concert à Munich1880Drawing
Calvarie1921Print
Canal with Barges1881Painting
Candelabra and Vase1888Print
Candélabre et vase1888Print
Capture of a Strange Town1888Print
Carnet met tekeningen1880Drawing
Carnet met tekeningenDate unknownDrawing
Carnival1930Painting
Carnival in Flanders1929Painting
Carnival in Flanders (Zürich)1927Painting
Carnival on the beach1887Painting
Chaloupes1888Print
Chaumiéres à Slykens1888Print
Chère morteDate unknownDrawing
Child with Doll1884Painting
Children at their Morning Toilet1886Painting
Chimaera1888Print
Chimère1888Print
Chinese vaas en figuren1880Drawing
Chinoiserie1885Drawing
Chinoiserie, drie vogelsDate unknownDrawing
Chinoiserie, een demon1885–1886Drawing
Chinoiserie, een krijger1885Drawing
Chinoiserie, een man1885Painting
Chinoiserie, een ooievaarDate unknownDrawing
Chinoiserie, een oude vrouwDate unknownDrawing
Chinoiserie, een roofvogelDate unknownDrawing
Chinoiserie, een vogelDate unknownDrawing
Chinoiserie, een vrouw1885Drawing
Chinoiserie, een zittende man1885Drawing
Chinoiserie, een zittende man in driekwart rugzicht1885Drawing
Chinoiserie, tafereel1884Drawing
Chinoiserie, twee figuren1885Drawing
Chinoiseries1907Painting
Chinoiseries1920Painting
Chinoiseries with fans1880Painting
Christ agonisant tourmenté par les démons1895Print
Christ among the Beggards1895Print
Christ and the Beggars1895Print
Christ and the Beggars (Le Christ aux mendiants)1895Print
Christ Calming the Storm1886Print
Christ Calming The Tempest1886Print
Christ calming the water1891Painting
Christ calming the water1906Painting
Christ Descending into Hell1895Print
Christ Descending into HellDate unknownPrint
Christ Descending to Hell1895Drawing
Christ in Agony Tormented by Demons1895Print
Christ in Hell (Le Christ aux enfers)1895Print
Christ in the Boat1898Print
Christ insulted1886Print
Christ mocked1880Drawing
Christ Mocked1886Print
Christ Orchard1886Print
Christ's Entry into Brussels in 18891888Painting
Christ's Entry into Jerusalem1885Drawing
Christ shown to the People1885Drawing
Christ shown to the People and Christ's Entry into Jerusalem1887Drawing
Christ Tormented by Demons1895Print
Christ Walking on Water1883Painting
Christ with the Lame1880Painting
Christus bedaart de storm1921Print
Christus bij de bedelaars1895Print
Christus daalt neer in de hel1895Print
Christus door duivels gekweld1895Print
Christus drijft de duivel uit het het lichaam aan een bezetene1921Print
Christus en de Engelen1921Print
Christus en de schriftgeleerden1921Print
Christus en Romeinse soldaten1886Drawing
Christus in de schuit1898Print
Christus op de knieën van zijn moeder1921Print
Christus tussen de moordenaars1921Print
Christus voor zijn rechters1921Print
Christus wandelt op de golven1921Print
Circassische ruitersDate unknownDrawing
Clams and crustaceans1889Painting
Clownish figures on a beachDate unknownDrawing
Clump of Trees1888Print
Colère1904Print
Combat des pouilleux Désir et Rissolé1888Print
Combat of the Rascals Désir and Rissolé1888Print
Combat of The Rascals Désir et Rissolé1888Print
Comical Repast (Banquet of the Starved)1917Painting
Contes d'Horace van Offel - Le diable au moulin1934Print
Copy after Honoré DaumierDate unknownDrawing
Cortège infernalDate unknownPrint
Cottages1888Print
Couple in open landau1883Drawing
Cranes et masques1888Print
CroquisDate unknownDrawing
Crypte1888Print
Cymbalists1911Print
Daffodils, Lilacs and Violets1893Painting
Dahlias1932Painting
DakenDate unknownDrawing
DameDate unknownDrawing
Dame aan cafétafel1880Drawing
Dame en meisjeDate unknownDrawing
Dame en twee herenDate unknownDrawing
Dance in the Clearing (from the series Les Opalines)1913Print
Daniel in the Lion's Den1880Drawing
Dansend paarDate unknownDrawing
Dansers en muzikanten1919Drawing
De aanbidding der herders1888Print
De afgunst1903–1904Print
De Amsterdamse lakenhandelaar Nicolaas van Bambeek1880Drawing
De baden van Oostende1891Drawing
De baden van Oostende1899Print
De bekoring van Christus1888Print
De bergrede [verso: Studie van drie staande en een zittende figuur]Date unknownDrawing
De besnijdenis1921Print
De bespotting van Christus1921Print
De boeteprocessie van Veurne1930Drawing
De boomgaard1886Print
De boomgaard1900Print
De briefschrijfster (Ensors zuster)1883Drawing
De brug van het bos te Oostende1889Print
De brug van SixDate unknownDrawing
De bruiloft van Kana1913Drawing
De cataclysmen1888Print
De componist Hector BerliozDate unknownDrawing
De crypte1888Print
De daken van Oostende1900Print
De dood achtervolgt de mensenkudde1896Print
De duivels Dzitts en Hihanox leiden Christus naar de hel1895Print
De eerste stapjes1880Drawing
De engel des verderfs1889Print
De engelen vereeren Maria1921Print
De Franse politicus François Barbé MarboisDate unknownDrawing
De gefopte boeren1893Drawing
De gendarmes1888Print
De geseling1921Print
De gevilde1888Print
De gierigheid1903–1904Print
De gierigheid1904Print
De goede rechters1894Print
De gramschap1903Print
De gramschap1903–1904Print
De grap van de olifant1888Drawing
De gulzigheid1903–1904Print
De Heilige Geest verlicht de apostelen1921Print
De herstellende ziekeDate unknownDrawing
De honden1894Drawing
De hoofdzonden gedomineerd door de Dood1903–1904Print
De hoogmoed1903–1904Print
De intocht van Christus te Brussel1898Print
De kathedraal1896Print
De kleine bron en andere figuren1880Drawing
De kleine schuiten1894Print
De knaap1880Drawing
De kokette dood (maskers)1922Print
De kruisafneming1921Print
De KruisafnemingDate unknownPainting
De kruisiging1921Print
De kus van Judas1921Print
De luiheid1902Print
De luiheid [De moeder van de kunstenaar]1888Drawing
De minnetuin1888Print
De molen van Mariakerke1889Print
De molenduivel1934Print
De Moord1888Print
De moord op de onnozele kinderen1921Print
De ontucht1888Print
De Oostendse Visser1900Drawing
De oude schelmen1895Print
De oudjes of de tijdDate unknownDrawing
De pakjesdragers1880Drawing
De pijproker, profiel en handen1880Drawing
De poel met populieren1889Print
De processie van Gistel1934Print
De putruimer1896Print
De regenten van het Oudemannenhuis in Haarlem. Een figuurDate unknownDrawing
De regenten van het Oudemannenhuis in Haarlem. Twee figuren1880Drawing
De Rembrandtplaats te Amsterdam1890Drawing
De Romeinse zegetocht1890Print
De roof der Sabijnse maagdenDate unknownDrawing
De schaduw op het huis1933Print
De schilder Alfred William Finch - en studie met flessen1880Drawing
De slaapster1887Print
De Slag der Gulden Sporen1895Print
De slechte geneesheren1895Print
De soldenierDate unknownDrawing
De spelers1895Print
De terugkeer van de kalvarieberg1921Print
De tuin van liefdeDate unknownPainting
De Turkse school is uitDate unknownDrawing
De Van Iseghemlaan in Oostende1889Print
De Van Iseghemlaan in Oostende, schrijvende man (recto)1880Drawing
De vechtersbazen1896Print
De vermenigvuldiging van de vissen1891Print
De verschrikkelijke boogschutter1888Print
De verzoeking van de Heilige Antonius1930Drawing
De visser1880Drawing
De vissers (De ellendelingen)1932Print
De waterdrinkerDate unknownDrawing
De wonderbare visvangst1921Print
De wraak van Hop-Frog1898Print
De zieke vrouwDate unknownDrawing
De zielenmissen voor B. de HazeDate unknownDrawing
De zilverling van Caesar1888Print
De zilverling van Caesar1921Print
De zoom van het bosje te Oostende1888Print
De zuster van Ensor aan het klavierDate unknownDrawing
Death and the Masks1897Painting
Death Chasing the Flock of Mortals1896Print
Death Dominating the Deadly Sins (Les Peches capitaux domines par la mort): front.1904Print
Delicacies1938Painting
Demons Teasing Me1895Print
Demons Teasing Me: Poster for the James Ensor Exhibition at the Salon des Cent in Paris1898Print
Demons Torment Me (Les Démons me turlupinant)1898Print
Der Tod und der Arzt beim Grabstein1880Drawing
Des filles de Sparte luttantDate unknownDrawing
Detail van afsluiting1900Drawing
Detail van een kapstokDate unknownDrawing
Deux régentes1880Drawing
Devils Thrashing Angels and Archangels1888Print
Devils Trashing Angels and Archangels1888Print
Diable rossant anges et archanges1888Drawing
Diables rossant anges et archanges1888Print
Diables rossant anges et archanges1889Print
Die Löwenjagd1880Drawing
Dienstbode (recto)1880Drawing
Dining single man1880Drawing
Diploma voor het X° Landjuweel1933Print
Dish, bottles and candlestickDate unknownDrawing
Doctrinaire voeding1889Print
Doctrinal Nourishment1889Print
Dode monnikDate unknownDrawing
Don Quichotte1870Drawing
Don Quichotte1884Drawing
Don QuichotteDate unknownDrawing
Don Quichotte en 4 gezichten1870Drawing
Don Quichotte en hoofdDate unknownDrawing
Don Quichotte en paardekopDate unknownDrawing
Doodshoofden en Willy Finch in de duinen (recto)1888Drawing
Doordruk van 2709/33Date unknownPrint
Dorpskerk omringd door bomenDate unknownDrawing
Double Self Portrait1900Drawing
Draaitrap en figurenDate unknownDrawing
Dramatische scène1883Drawing
Drie figurenDate unknownDrawing
Drie heren in gesprekDate unknownDrawing
Drie hollandse boerinnetjesDate unknownDrawing
Drie honden1880Drawing
Drie insektenDate unknownDrawing
Drie klimmende heren en koppenDate unknownDrawing
Drie koppen van wilde dierenDate unknownDrawing
Drie varkenskoppenDate unknownDrawing
Drie zeilboten en een windmolen1920Drawing
DuingrasDate unknownDrawing
Duivels die mij sarren1895Print
Duivels die mij sarren1898Print
Duivels rossen engelen en aartsengelen af1888Print
Dunes1877Painting
Dunes1883Painting
EdelmanDate unknownDrawing
Edge of the Forest in Ostend (La lisiere du petit bois, Ostende)1887Print
Edge of the Little Wood1888Print
Edge of the Little Wood Ostend1888Print
Een ongevalDate unknownDrawing
Een Zeeuws paardengespanDate unknownDrawing
Effect of Light1935Painting
Elias Magnus Fries, the Swedish Mycologist1886Print
Elisabeth Bas1880Drawing
EmbleemDate unknownDrawing
Ensor and Leman discussing painting1890Painting
Ensor at his Easel1890Painting
Ensor at the Harmonium1933Painting
Ensor en Generaal Leman1890Drawing
Ensor en zijn muze1937Drawing
Ensors slapende moeder en figuren1880Drawing
Ensors slapende zuster en figuren1880Drawing
Envie1904Print
Envy1904Print
Envy (L'envie)1904Print
Ernest Rousseau1887Print
Estacade, PK.MP.049031887Print
Estacade, PK.MP.049041887Print
Execution by GarroteDate unknownDrawing
Extraordinary Musicians1888Print
Fall of the Rebel Angels1889Painting
Fans and Fabrics1881Painting
FantasiaDate unknownDrawing
Fantastische muzikanten1888Print
Fantastische vogelDate unknownDrawing
Farm at Leffinghe1889Print
Feeding of the Five Thousand (La multiplication des poissons)1891Print
Femme assise vue de dosDate unknownDrawing
Femme et scène de taverneDate unknownDrawing
Ferme à Leffinge1889Print
Figuren1870Drawing
Figuren1880Drawing
FigurenDate unknownDrawing
Figuren en hoofden1870Drawing
Figuren en ringkan (recto)1880Drawing
Figuren en slijpsteenDate unknownDrawing
Figuren en tekstDate unknownDrawing
Figuren uit de liefdestuinDate unknownDrawing
Figuren (verso)1880Drawing
Figures in Front of a Poster of La Gamme d’amour (after The Entry of Christ into Brussels in 1889)1925Painting
FiguurDate unknownDrawing
Figuur en fornuis met kookpotten1880Drawing
Figuur op de rug gezienDate unknownDrawing
Fish and Shells1895Painting
Fisher couple1874Painting
Fisherman falling in the water1880Drawing
Fisherman of Ostend1900Print
Fisherwoman1882Painting
Fishing-Boats1888Print
Flaying a Convict1888Print
Flemish Farm1888Print
Fles (recto)1888Drawing
Floral Still Life with Skulls1908Painting
Floretten1880Drawing
Flowers1892Painting
Flowers and blue vase1909Painting
Flowers and Chinese Vases1896Painting
Flowers and fruit1938Painting
Flowers and Masks1929Painting
Flowers and Vegetables1896Painting
Flowers in a VaseDate unknownDrawing
Footpath at Groenendael1888Print
Forest at Groenendael1888Print
Fort Napoleon1876Painting
Fort Wellington1876Painting
Fragment van een boom, stilleven op een barokke tafel, kruik en figuren (verso)1880Drawing
Fragment van raam met opgetrokken overgordijnDate unknownDrawing
Fragment van vaasDate unknownDrawing
Fridolin and Gragapança of Yperdamme1895Print
Fridolin and Grapapança of Yperdamme1895Print
Fridolin en Gragapança van Yperdamme1895Print
Fridolin et Gragapanca d'Yperdamme1895Print
Fries met monstertjesDate unknownDrawing
Frise, The Swedish Botanist1886Print
Frolics of Tenuous Puppets Transformed into Flowers (from the series Les Opalines)1913Print
Frontispice1921Print
FrontispiceDate unknownPrint
Frontispice (uit: Taferelen uit het leven van Christus)1921Print
Gathering in a Park1936Painting
Gathering in a Park (Assemblee dans un parc)1891Print
Gebonden album "La Gamme d'Amour1912–1929Print
Gebonden album "Taferelen uit het leven van Christus1921Print
Geërgerde maskers1895Print
Gefolterde (?)Date unknownDrawing
Gehurkte man met petroleumbusDate unknownDrawing
Geïntrigeerde maskers1904Print
GenretafereelDate unknownDrawing
Genretafereel en ornamentDate unknownDrawing
Geraamte dat zich wil verwarmenDate unknownDrawing
Geraamten die zich willen warmen1895Print
Gestrande schuiten1888Print
Gevallen Arabische ruiter met steigerend paardDate unknownDrawing
GevelDate unknownDrawing
Gezicht op de haven van Oostende1888Print
Gezicht op Mariakerke1900Drawing
Gezicht op Oostende in het oosten1888Print
Girl1880Drawing
Girl with Masks (Communion)1921Painting
Girl with upturned Nose1879Painting
Gluttony1904Print
Gluttony (La gourmandise)1904Print
GordijnroedeDate unknownDrawing
Gourmandise1904Print
Grand View of Mariakerke1887Print
Grande vue de Mariakerke1887Print
Grey Seascape1880Painting
Groep gemaskerde muzikantenDate unknownDrawing
Groep hoge bomen1890Drawing
Groep ruitersDate unknownDrawing
Groep soldaten en burgersDate unknownDrawing
Groteske figuren1912Drawing
Groteske figuurDate unknownDrawing
Group of Trees1888Print
HamletDate unknownDrawing
Hand en degenDate unknownDrawing
Hand met geweerloopDate unknownDrawing
HandenDate unknownDrawing
Handen en ornamentDate unknownDrawing
Handen en silhouettenDate unknownDrawing
Hangklok en hoeden1880Drawing
HavengezichtDate unknownDrawing
Heer en dame aan tafel1912Drawing
Heer en kelnerDate unknownDrawing
Heer en twee gehurkte figuurtjesDate unknownDrawing
Heer met hoge hoedDate unknownDrawing
Heilige Familie1921Print
Hemelvaart1921Print
HengstDate unknownDrawing
Herbergscène met dansend boerenpaar (verso)1880Drawing
Het afscheid van Napoleon1896Print
Het balkonDate unknownDrawing
Het betoverd meubel1888Print
Het doopsel van Christus1921Print
Het fantastische bal1889Print
Het gesprekDate unknownDrawing
Het gevecht1896Print
Het grote dok in Oostende1888Print
Het laatste avondmaal1921Print
Het modelDate unknownDrawing
Het onweer1889Print
Het spook1889Print
Het strand van De Panne1904Print
Hippogriff, Evil Spirits, Interior Elements1880Drawing
Hoed en silhouet1918Drawing
Hoek in het atelier met kachelvoet, kist en figuren1880Drawing
Hoeve1920Drawing
Hoeve te Leffinge1889Print
HoevedakenDate unknownDrawing
Hollandse kastDate unknownDrawing
Hond1880Drawing
Hoofd van een fluitspelende vrouwDate unknownDrawing
Hoofddekseltjes en boerinnetjesDate unknownDrawing
Hoofden1870Drawing
Hoofden1882Drawing
Hoofden1900Drawing
HoofdenDate unknownDrawing
Hoofden en stillevenDate unknownDrawing
Hooiopper met windmolen, boot en kleine hoeve1888Drawing
Hooiopper, roeiers in kano, windmolenDate unknownDrawing
Hop-Frog1898Print
Hop-Frog's Revenge1885Print
Hop-Frog's Revenge1895Print
Hop-Frog's Revenge1898Print
Hop-Frog's Revenge1922Print
Horses and silhouettes1880Drawing
House on the Boulevard Anspach1888Print
Houses, a street lamp and a carriage1885Drawing
Houses on the Boulevard Anspach in Brussels(Maisons du boulevard Anspach a Bruxelles)1888Print
Huis met bomenDate unknownDrawing
Huis met torenerker1890Drawing
Huis, narren, portretDate unknownDrawing
Huis op de Anspachlaan1888Print
Huisjes in Mariakerke1888Print
Huizen en peervormig torentjeDate unknownDrawing
Hutten1888Print
I. L'AnnonciationDate unknownPrint
I. Maria-boodschap (uit: Taferelen uit het leven van Christus)1921Print
Icône - Portrait of Eugène Demolder1893Painting
II. De aanbidding der wijzen (uit: Taferelen uit het leven van Christus)1921Print
II. L'Adoration des MagesDate unknownPrint
III. De moord op de onnozele kinderen (uit: Taferelen uit het leven van Christus)1921Print
III. Le Massacre des InnocentsDate unknownPrint
In de logeDate unknownDrawing
In the Dunes1883Painting
Inneming van een vreemde stad1888Print
Insectes singuliers1888Print
Insectes singuliersDate unknownPrint
insectsDate unknownDrawing
Interieur met open haardDate unknownDrawing
Intrede in Jeruzalem1921Print
Iston, Pouffamatus, Cracozie and Transmouffe, famous Persian physicians, examining the Stool of Darius1886Print
Iston, Pouffamatus, Cracozie and Transmouffe, famous Persian physicians, examining the Stool of Darius after the battle of Arbela1886Print
Iston, Pouffamatus, Cracozie and Transmouffe, Famous Persian Physicians, Examining the Stools of King Darius after the Battle of Arbela1886Print
Iston Pouffamatus Cracozie Transmouff célèbres medecins persans examinant les selles du Roi Darius après la bataille d'Arbelles1886Print
Iston, Pouffamatus... examining the Stool fo Darius1886Print
IV. De vlucht naar Egypte (uit: Taferelen uit het leven van Christus)1921Print
IV. La Fuite en EgypteDate unknownPrint
IX. De zilverling van Caesar (uit: Taferelen uit het leven van Christus)1921Print
IX. Le denier de CésarDate unknownPrint
Jardin d'amour1888Print
Jardin d'amour1925Painting
Jardin d'amour (PK.MP.01200)1888Print
Joan of Arc1880Drawing
Jonge Picardiërs bij een oefening met lansenDate unknownDrawing
Jonge vrouwDate unknownDrawing
Jongen met zwaardDate unknownDrawing
Judit en Holofernes1879Painting
Kaasklok en lissenDate unknownDrawing
Kachel en figuren (recto)1880Drawing
KarnavalfiguurtjesDate unknownDrawing
Kerkje van TholenDate unknownDrawing
Kind op rug gezien1880Drawing
King Pest1880Drawing
King Pest1895Print
Klassiek academiemodel1878Drawing
Klein gezicht op Mariakerke1887Print
Klein gezicht op Mariakerke1900Print
Klein meisje en ornamentDate unknownDrawing
Kleine vreemdsoortige figuren1888Print
Koets1890Drawing
Koets en twee heren1880Drawing
Koffertje en zwaardDate unknownDrawing
KoffiekanDate unknownDrawing
Koning Pest1895Print
Koningin Parysatis1890Print
Kop en drie hondenDate unknownDrawing
Kop in vooraanzicht en in profielDate unknownDrawing
Kop, schoteltje en figuren (recto)1880Drawing
Köpfe1880Drawing
KopieDate unknownDrawing
Kopie naar GoyaDate unknownDrawing
Kopie naar GrévinDate unknownDrawing
Kopie naar Salvator RosaDate unknownDrawing
Kopje en afdrukDate unknownDrawing
KrabbelDate unknownDrawing
Krabbel: militairenDate unknownDrawing
Krabbel van marineDate unknownDrawing
Krabbel van ornament?Date unknownDrawing
Krabbels met houtskoolDate unknownDrawing
KroegtafereelDate unknownDrawing
Kroonkandelaar en vaas1888Print
Kruiwagen en figuren (recto)1880Drawing
Kruiwagen, figuren en schets1880Drawing
L'Acacia1888Print
L'Amour MoissonneurDate unknownDrawing
L'ange exterminateur1889Print
L'archer terrible1888Print
L'assassinat1888Print
L'écorché1888Print
L'entrée du Christ à Bruxelles en 18891889Print
L'Entrée du Christ à Bruxelles en 18891898Print
L'Hôtel de ville de Bruxelles1885Painting
L'orage1889Print
La Blague de l'éléphant1888Print
La Cathédrale1860Print
La Cathédrale1886Print
La dormeuse (rare)1887Print
La gamme d'amour1926Painting
La Lisiere du bois d'Ostende1888Print
La Madeleine1887Print
La mort poursuivant le troupeau des humains1896Print
La multiplication des poissons1891Print
La musique Rue de Flandre à Ostende1890Print
La prise d'une ville étrange1888Print
La reine Parysatis écorchant un eunuque1900Print
La SyreneDate unknownDrawing
La Tentation du Christ1888Print
La vengeance de Hop-Frog1898Print
Laat de kleinen tot mij komen1921Print
Lady Godiva1933Print
Lady Singing1880Drawing
Landelijke brug1889Print
Landscape with waterfalls1875Painting
Landschap met kerktoren en windmolenDate unknownDrawing
Landschap met kruisDate unknownDrawing
Landschap met molen en laag wolkendek1890Drawing
Landschapsfragment met waterrad en twee figuren (verso)1880Drawing
Lantaarn en kruiwagen1870Drawing
Large Basin of Ostend Harbor (Le Grand Bassin, Ostende)1888Print
Large seascape - Sunset1885Painting
Large View of Mariakerke1887Print
Large View of Mariakerke (Grande vue de Mariakerke)1887Print
Laute spielender EngelDate unknownDrawing
Le Bal fantastique1889Print
Le Ballet Féerique (Le Jardin D'Amour)1925Painting
Le bassin d' Ostende1888Print
Le Botaniste Scandinave Frise1886Print
Le Boulevard van Iseghem, Ostende1889Print
Le Cathédrale1886Print
Le Christ apaisant la tempète1886Print
Le Christ aux Mendiants1895Print
Le Christ dans la barque1898Print
Le Christ descendant aux enfers1895Print
Le Christ montré au peuple1886Print
Le Christ tourmenté (Christ Tormented)1888Painting
Le cortège infernalDate unknownDrawing
Le coup de vent à la lisière1888Print
Le Denier de César1888Print
Le Fantôme1889Print
Le feu d'artifice (Fireworks)1887Painting
Le grand bassin d' Ostende1888Print
Le Meuble hanté1888Print
Le moulin de Slykens (PK.MP.01186)1891Print
Le moulin de Slykens (PK.MP.01187)1891Print
Le Pisseur1887Print
Le Pont du Bois à Ostende1889Print
Le Réverbère1888Print
Le Roi Albert et son temps1932Print
Le Roi peste1895Print
Le verger1886Print
Leeuw en schildpad1880Drawing
Leeuw met haas1880Drawing
Leeuwin die prooi verscheurtDate unknownDrawing
Les adieux de Napoleon1897Print
Les Bains à Ostende1899Print
Les barquesDate unknownDrawing
Les bons juges1894Print
Les cataclysmes, Vision devançant le futurisme1888Print
Les Cuisiniers dangereux1896Drawing
Les Demons me turlupinant1895Print
Les Diables Dzitts et Hihahox menant le Christ aux enfers1895Print
Les étoiles au cimetière1888Print
Les gendarmes1888Print
Les Insèctes Singuliers1888Print
Les masques1922Print
Les Masques et la Mort1898Painting
Les Mauvais médécins1895Print
Les patineurs1889Print
Les petites barques1894Print
Les peupliers1889Print
Les toits à Ostende1903Print
Les Vieux Polissons1895Print
Lezende man1880Drawing
Lezende man en hoofdenDate unknownDrawing
Liggende leeuw1880Drawing
Liggende vrouw1908Drawing
Light stripped of leaves1936Painting
LionDate unknownDrawing
Little Houses at Mariakerke1888Print
Little View of Mariakerke1887Print
Little View of Mariakerke1900Print
Lust1888Print
Lust (La luxure)1888Print
Luxure1888Print
Ma tante chérieDate unknownPainting
Madam Gratiot1880Drawing
Man, drinkglas en figuurtjes1881Drawing
Man en boot, stoelDate unknownDrawing
Man en plantDate unknownDrawing
Man en twee gehurkte figuurtjesDate unknownDrawing
Man in profiel1917Drawing
Man met baardDate unknownDrawing
Man met hoed1880Drawing
Man met petDate unknownDrawing
Man met verfpot1880Drawing
Man of Sorrows1891Painting
Man steunend op een stokDate unknownDrawing
Mand met vruchten1935Drawing
Mannelijke naaktenDate unknownDrawing
Manshoofd in profielDate unknownDrawing
Marche des Rotariens Ostendais1923Print
Maria Boodschap1921Print
Marine met duin en zeilboten1917Drawing
marine / zeegezicht1910Painting
Marionet en schouwstijlDate unknownDrawing
Mars van de Oostendse Rotariërs1922–1923Print
Mars van de Oostendse Rotariërs1923Print
Mask and Crustaceans1891Painting
Masked womanDate unknownDrawing
Masks1925Painting
MasksDate unknownDrawing
Masks Confronting Death1888Painting
Masques Scandalisés1895Print
MateriaalstudieDate unknownDrawing
Mazurka Caprice de James EnsorDate unknownArtwork
Meadow Flowers1883Painting
Meeting in a Park1891Print
Meisje1885Drawing
Meisje met wipneus (?) en Arondskelken1880Drawing
Meisje met witte voorschoot1880Drawing
Mejuffrouw Zucchi van de 'Eden'Date unknownDrawing
MensenmenigteDate unknownDrawing
Menu Charles Vos1896Print
Menu for Charles Vos1896Print
Menu for Ernest Rousseau1896Print
Menu pour Charles Vos1896Print
Menu pour Ernest Rousseau, PK.MP.049061896Print
Menu pour Ernest Rousseau, PK.MP.049071896Print
Mery Laurent met mopshondDate unknownDrawing
Mijn dode moeder1915Drawing
Mijn dode moeder II1915Drawing
Mijn dode moeder III1915Drawing
Mijn dode moeder IV1915Drawing
Mijn dode tante1916Drawing
Mijn dode vader1888Print
Mijn handen1928Drawing
Mijn moeder bij naaiwerk (verso)Date unknownDrawing
Mijn portret1905Drawing
Mijn portret in 19601888Print
Mijn portret met doodshoofd1889Print
Mijn tanteDate unknownDrawing
Mijn zuster en schets van een schilderij1880Drawing
Militair te paard, en stoelDate unknownDrawing
Militairen1880Drawing
MilitairenDate unknownDrawing
Militairen en silhouettenDate unknownDrawing
Minnetuin1888Print
Mitche1880Drawing
MitcheDate unknownDrawing
Mitche Ensor1885Drawing
Model of a ship1885Drawing
Moeder van Ensor1870Drawing
Moeder van Ensor1880Drawing
Moeder van EnsorDate unknownDrawing
Moeder van Ensor en silhouetten1880Drawing
Moeder van Ensor - voet en handen1880Drawing
Molen te Slykens1891Print
Mon père mort1888Print
Mon père mort, PK.MP.049151888Print
Mon père mort, PK.MP.049161888Print
Mon Portrait en 19601888Print
MonkeyDate unknownDrawing
Monniken bij het balspelDate unknownDrawing
MonotypeDate unknownDrawing
Monsters and Caricatures1888Drawing
Mordecai's Triumph1880Drawing
Moses and the Birds1924Painting
Mother of Rembrandt and other Figures1880Drawing
moulin: Slykens1891Print
Mountain Landscape1890Drawing
Mountain LandscapeDate unknownDrawing
Music in the Vlaanderenstraat1891Painting
Music-making group1877Drawing
Music on the Rue de Flandres1890Print
Musiciens fantasques1888Print
Muziek in de Vlaanderenstraat in Oostende1890Print
My Dead Father1888Print
My Favorite Room1892Painting
My Portrait as a Skeleton1889Print
My Portrait in 19601888Print
My Skeletized Portrait1889Print
My Sleeping Aunt Dreaming of Monsters1888Drawing
Mythologische scène1877Drawing
Naaiende handenDate unknownDrawing
Naaiwerk (De handen)Date unknownDrawing
Naakten en harlekijnenDate unknownDrawing
Naked boy1878Painting
Napoleon's Farewell1897Print
NarrenDate unknownDrawing
Nature morte au canard1910Painting
NeptunusDate unknownDrawing
NeushoornDate unknownDrawing
Nimfen1923Drawing
OdaliskDate unknownDrawing
Old Lady with Masks1889Painting
Old man1878Painting
Old Man with Flowing Beard1880Drawing
Oostende, gezicht vanuit het stationDate unknownDrawing
Oostendse verhalen door Theo HannonDate unknownDrawing
Oostendse visser1900Print
Oosters paarDate unknownDrawing
Op de koerstribune1880Drawing
Open haardDate unknownDrawing
Openstaand raam met loodglasDate unknownDrawing
OperascèneDate unknownDrawing
Opgebonden overgordijnDate unknownDrawing
OpheliaDate unknownDrawing
Orchard (Le Verger)1886Print
Orgueil1904Print
Ornament - Head of a monsterDate unknownDrawing
Ornament - kopDate unknownDrawing
Ornament - LeeuwenkopDate unknownDrawing
Ornament - Lion's headDate unknownDrawing
Ostend Harbour1900Painting
Oude vrouw en kindDate unknownDrawing
PaarDate unknownDrawing
Paar in interieurDate unknownDrawing
Paar voor rustbed1880Drawing
Paard en silhouettenDate unknownDrawing
Paarden en hoek van zitbankDate unknownDrawing
Paarden en tekstDate unknownDrawing
Paarden en vrouwDate unknownDrawing
Paarden en zittende manDate unknownDrawing
Paarden, kar en werkman1880Drawing
Paresse1902Print
Pear, grapes and nuts1889Painting
Péchés capitaux dominés par la mort1904Print
Pécheur d'Ostende, PK.MP.049181900Print
Pécheur d'Ostende, PK.MP.049191900Print
Pécheur d'Ostende, PK.MP.049201900Print
Peculiar Insects1888Print
Pen and inkpot on a glass dish1885Drawing
Peonies and Poppies1883Painting
Perplexed Masks1904Print
Peste dessous, peste dessus, peste partout!1904Print
Petite vue de Mariakerke1887Print
Petite vue de Mariakerke1900Print
Petite vue de Mariakerke (PK.MP.04893)1887Print
Pierrot and Skeleton in a Yellow Robe1893Painting
Pierrot and skeletons1906Painting
Pierrot's despair1910Painting
Pigs1875Painting
Pink Dancer (from the series Les Opalines)1913Print
Plage de La Panne1904Print
Plage de La Panne (PK.MP.04897)1904Print
Plague here, Plague there, Plague everywhere1888Drawing
Poezen en raam1870Drawing
Pollution Under, Pollution over, Pollution All Around1904Print
Popje1886Drawing
Porcelaines et Masques1929Painting
Portrait d'Ernest Rousseau1887Print
Portrait D'Hector Denis1890Print
Portrait de Augusta Bogaerts (La Sirene)Date unknownPainting
Portrait du professeur Ernest Rousseau1887Print
Portrait of a Boy1906Painting
Portrait of a Man1880Drawing
Portrait of a ManDate unknownDrawing
Portrait of Emile Verhaeren1890Painting
Portrait of Hector Denis1890Print
Portrait of René Coens1937Drawing
Portrait of the Artist Henry de Groux1883Drawing
Portrait of the Artist's Father1881Painting
Portrait of the Artist's Mother1882Painting
Portrait of the Artist Willy Finch1883Drawing
Portrait of the Artist’s Mother1885Painting
Portrait of Willy Finch1882Painting
Portret van Alexandra Daveluy1927Painting
Portret van Dario de Regoyos schrijvende1880Drawing
Portret van een vrouwDate unknownDrawing
Portret van Ernest Rousseau1887Drawing
Portret van Hector Denis1890Print
Portret van mijn moeder en figuren1880Drawing
Portret van Willy Finch1888Drawing
Portret van Willy Finch op de rug1880Drawing
Poster of La Plume1922Print
Poster of the Carnival at Ostend1931Print
Pouilleux indisposé se chauffant1895Print
Pride1904Print
Pride (L'orgueil)1904Print
Programma van de opvoering van het ballet "La Gamme d'Amour" - Schouwburg Oostende 17 december 19321932Print
Pronkkast en figuren1880Drawing
Publicitaire sluitzegel voor het carnaval van Oostende1931Print
Puzzled Masks1904Print
Queen Parysatis1899Print
Regentessen van het Oudemannenhuis in Haarlem. Een figuur1880Drawing
Regentessen van het Oudemannenhuis in Haarlem. Handen1880Drawing
Regentessen van het Oudemannenhuis in Haarlem. Mouw van een regentes1880Drawing
Regentessen van het Oudemannenhuis in Haarlem. Twee paar handen1880Drawing
Rembrandt's Self Portrait1880Drawing
Rendez notre ancienne face fors les chers faux nez burlesques1923Drawing
René LyrDate unknownDrawing
Reptiel en dierenkopjeDate unknownDrawing
Return from Calvary1877Painting
Return of the prodigal son1877Painting
Reverences of Puppets before Cydalise (from the series Les Opalines)1913Print
Rocaillemotief (verso)1888Drawing
Roi Peste1895Print
Roman Triumph1889Print
Roman Victory1889Print
Roofs at Ostend1903Print
Rooftops of Ostend1885Painting
Rue du Bon Secours, Brussels1887Print
Rue du Bon Secrous, Brussels1887Print
Ruiter1870Drawing
Ruiter van de lichte artillerieDate unknownDrawing
Russian Music1881Painting
Rustend paarDate unknownDrawing
Rustend vrouwelijk naaktDate unknownDrawing
Rustende vrouwDate unknownDrawing
Rustic Bridge1889Print
Salisbury Cathedral from the Meadows1880Drawing
Satan and the Fantastic Legions Tormenting the Crucified (The Sad and Broken) (recto)1886Drawing
SaterDate unknownDrawing
Satire of Laurent TailhadeDate unknownDrawing
Scandalized Masks1895Print
Schedels en maskers1888Print
Schets naar oude meester en figuren (recto)1880Drawing
Schetsblad met ChristusbeeldDate unknownDrawing
Schetsblad met ruitersDate unknownDrawing
Schetsblad met staande manDate unknownDrawing
Schetsbladen op een bladDate unknownDrawing
SchetsboekDate unknownDrawing
Schetsen1880Drawing
Schetsen van figuren en paarden (recto)1880Drawing
Schetsen van handenDate unknownDrawing
SchildpadDate unknownDrawing
Schouw en handen1887Drawing
Schrijvende man1880Drawing
Schrijvende of lezende manDate unknownDrawing
Schrijvende vrouw op rug gezien1882Drawing
Seascape1880Painting
Seashells1896Painting
Seashells1936Painting
Seashells and Chinoiseries1882Painting
Seaside1923Painting
Seated Boy1880Drawing
Seated ManDate unknownDrawing
Seated WomanDate unknownDrawing
Selbstporträt umringt von Köpfen1900Drawing
Self Portrait1870Drawing
Self Portrait1880Drawing
Self-Portrait1885Drawing
Self-Portrait1886Print
Self PortraitDate unknownDrawing
Self-portrait with flowered hatc. 1885–1888 (inscribed 1883)Painting
Self-Portrait (with lamp)1886Print
Self-Portrait with Lamp (In the Dark)1886Drawing
Self-portrait with masks1899Painting
Self-Portrait with Masks1937Painting
Series of MasksDate unknownDrawing
Sick Wretch Warming Himself1895Print
Sierpot en paard1880Drawing
Silhouette of a Woman, Mitche and a Lock1885Drawing
Silhouetten1880Drawing
Silhouetten1917Drawing
Silhouetten1918Drawing
SilhouettenDate unknownDrawing
Silhouetten en 2 figuren op de rug gezienDate unknownDrawing
Silhouetten en hoofden1880Drawing
Silhouetten en karDate unknownDrawing
Silhouettes1880Drawing
Silhouettes and grotesque figures1880Drawing
Silhouettes Studies of walking figuresDate unknownDrawing
Skelet bekijkt chinoiserieën1910Painting
Skeleton Looking at Chinoiseries1885Painting
Skeleton Painter in his Studio1896Painting
Skeletons fighting over a Hanged Man1891Painting
Skeletons Fighting over a Pickled Herring1891Painting
Skeletons in Fancy Dress1898Painting
Skeletons in the Studio1900Painting
Skeletons seeking warmthDate unknownPrint
Skeletons Trying to Warm Themselves (Taevernier: Warmth Seeking Skeletons)1895Print
Skeletons Warming Themselves1889Painting
Skulls and Masks1888Print
Slapend meisjeDate unknownDrawing
Slapende en wakende vrouw1880Drawing
Slapende honden1880Drawing
Slapende moeder van Ensor1915Drawing
Slapende oude vrouw1880Drawing
Slapende oude vrouw1895Drawing
Slapende oude vrouw1897Drawing
Slapende oude vrouwDate unknownDrawing
Slapende vrouwDate unknownDrawing
Sloepen1888Print
Sloops1890Painting
Sloth1902Print
Sloth1904Print
Sloth (La paresse)1902Print
Small Bizarre Figures1888Print
Small House at Mariakerke1888Print
Small View of Mariakerke1900Print
Smid en kandelaarDate unknownDrawing
Smidse met twee figuren (recto)1880Drawing
Smile of Carnations, Caress of Daisies1936Painting
Snuisterijen en figuren1883Drawing
Soldaat en monnikDate unknownDrawing
SoldatentruppDate unknownDrawing
Soldier and horseDate unknownDrawing
Sorciers dans la bourrasque1888Print
Sous-bois à Groenendael1888Print
Spijskaart voor Charles Vos1896Print
Spitting manDate unknownDrawing
SpookgestalteDate unknownDrawing
Squall at the Edge of the Wood1888Print
Square Rembrandt, Amsterdam graphicDate unknownPrint
Squelettes voulant se chauffer1895Print
Squelettes voulant se chaufferDate unknownDrawing
Staande en zittende zigeunersvrouwDate unknownDrawing
Staande figuur op de rug gezienDate unknownDrawing
Stadhuis van Oudenaarde1888Print
Stand of Trees (Bouquet d'arbres)1888Print
Stapel boeken1880Drawing
Steam-Boats1888–1889Print
Steamboats1889Print
Steamships1889Print
SteekspelDate unknownDrawing
Sterrenhemel boven het kerkhof1888Print
Still-life (Fabrics)1880Painting
Still Life in the Studio1889Painting
Still life with a cabbage1921Painting
Still Life with Blue Jar1890Painting
Still Life with Blue Pitcher1891Painting
Still Life with chinoiseries1880Painting
Still Life with Chinoiseries1906Painting
Still-life with duck1880Painting
Still Life with Fish and Shells1898Painting
Still Life with Geranium1882Painting
Still-life with Masks1896Painting
Still Life with Oysters1882Painting
Still Life with Sea Shells1923Painting
Still Life with Tulips and Roses1882Painting
Stilleven met blauwe chinoiserieënDate unknownPainting
Stilleven met flessenDate unknownDrawing
Stilleven met groenten1882Painting
Stilleven met kaarsDate unknownDrawing
Stilleven met saterDate unknownDrawing
Stilleven met visserslampDate unknownDrawing
Stilleven, spiegel, zittende figuurDate unknownDrawing
Stillleben mit blauer Flasche und gerupftem Huhn - 4420 - Österreichische Galerie Belvedere1910Painting
Storm at the Edge of the Wood1888Print
Straat in Oostende (?)1895Drawing
Straat naast het kanaalDate unknownDrawing
Straatlantaarn1888Print
Strand- en zeegenoegens1890Drawing
Strand von Ostende - 2122 - Kunsthaus Zürich1915Painting
Strandtent en silhouettenDate unknownDrawing
Streaming water1913Drawing
StudieDate unknownDrawing
Studie met flessen en koppenDate unknownDrawing
Studie van badende vrouwenDate unknownDrawing
Studie van dame met parasolDate unknownDrawing
Studie van drie staande en een zittende figuur [recto: De bergrede]Date unknownDrawing
Studie van een badende vrouwDate unknownDrawing
Studie van een wild dierDate unknownDrawing
Studie van handen en hoofden1880Drawing
Studie van houdingenDate unknownDrawing
Studie van kerstgroepenDate unknownDrawing
Studie van kopprofielen en van handen1880Drawing
Studieblad van de leeuwenjachtDate unknownDrawing
Studies for a Portrait of a Woman1885Drawing
Studies van voorovergebogen hoofd1880Drawing
Sunrise1880Drawing
Tafel, kruiken, roemer, figuren (verso)1888Drawing
Tafel met leeuwenkoppenDate unknownDrawing
Taferelen uit het leven van Christus1921Print
Taskin als wonderdokter in Hoffmann's vertellingenDate unknownDrawing
Tekeningen uit de collectie van het KMSKADate unknownDrawing
TekstDate unknownDrawing
Tekst en hoofd van een vrouw met bril en figuren (verso)1880Drawing
Tenhemelopneming van Maria1921Print
Terugkeer van de berenjacht in het steentijdperkDate unknownDrawing
The absinthe drinker1880Drawing
The Acacia (L'acacia)1888Print
The Adoration of the Shepherds1887Painting
The Adoration of the Shepherds1888Print
The Adoration of the Shepherds (The Joyful)1886Drawing
The Afternoon Nap (recto)1880Drawing
The artist's aunt1880Drawing
The artist's father in deathDate unknownDrawing
The artist's mother1880Drawing
The Artist's Mother in Death1915Painting
The artist's sister Mitche and figureDate unknownDrawing
The Artist's Studio1930Painting
The Assassination1888Print
The Assassination1890Painting
The Bad Doctors1892Painting
The Bad Doctors1895Print
The Bad Doctors graphic1895Print
The Baths at Ostend1890Painting
The Baths at Ostend1899Print
The Baths at Ostende1899Print
The Battle of the Golden Spurs1891Drawing
The bird-garden1936Painting
The Bourgeois Salon1881Painting
The Bourgeois Salon II1911Painting
The Breakwater1878Painting
The Bridge in the Wood at Ostend1889Print
The Bridge in the Woods, Ostend (Le pont du bois a Ostende)1889Print
The cabbage1880Painting
The Canal1921Painting
The Cataclysms1888Print
The Cathedral1886Print
The Cathedral1886–1896Print
The Cathedral (La cathedrale)1886Print
The Cathedral (The Troopers Kès and Pruta Entering the City of Bise)1892Drawing
The Cemetery1888Print
The City Hall in Audenarde (L'hotel de ville d'Audenarde)1888Print
The CoachDate unknownDrawing
The Combat1896Print
The Convalescent1880Painting
The ConversationDate unknownDrawing
The Crypt1888Print
The cuirassiers of Waterloo1891Drawing
The Dangerous Cooks1896Painting
The Dead Cockerel1894Painting
The Dead SoldierDate unknownDrawing
The Deadly Sins Dominated by Death1904Print
The Death of the Holy Virgin1880Drawing
The Destroying Angel1889Print
The Devil and the Windmill1934Print
The Devils Dzitts and Hihahox, Commanded by Crazon Riding a Furious Cat, Leading Christ to Hell1886Drawing
The Devils Dzitts and Hihahox, Commanded by Crazon Riding a Furious Cat, Leading Christ to Hell1895Print
The Devils Dzitts and Hihanox Leading Christ into Hell1895Print
The Devils Dzitts and Hihanox Leading Christ to Hell1895Print
The dissolute mercenaries1892Drawing
The edge of the wood in Ostend1886Painting
The Elephant's Joke1888Print
The Entry of Christ into Brussels1895Print
The Entry of Christ into Brussels1898Print
The Entry of Christ into Brussels (L'entree du Christ a Bruxelles)1898Print
The Exterminating Angel1889Print
The Exterminating Angel (L'ange exterminateur)1889Print
The Fantastic Ball1889Print
The Fantastic Musicians1888Print
The Fight1896Print
The Fight1925Painting
The Flagellation1886Print
The Flaying1888Print
The foolDate unknownDrawing
The Gamblers1895Print
The Gamblers1896Print
The garden at café Tivoli in Ostend1876Painting
The Garden of Love1888Print
The Garden of Love1921Painting
The Garden of Love (1891)1891Painting
The Garden of Love (Toyota)1888Painting
The Garden of the Rousseau Family1885Painting
The Gendarmes1888Print
The gendarmes1892Painting
The Ghost1889Print
The Goldsmith Jan LutmaDate unknownDrawing
The Good Judges1894Print
The Grotesque Musicians1888Print
The GuitaristDate unknownDrawing
The Hands of Elisabeth Bas1880Drawing
The haunted cabinet1888Print
The Haunted Furniture1888Print
The Hunter1888Print
The Ice Skaters (Les Patineurs)1889Print
The infernal cortege1880Print
The Infernal Cortege1887Print
The Intrigue1890Painting
The Jolly HuntersDate unknownDrawing
The Journalist Paul de CassagnacDate unknownDrawing
The lady in blue1881Painting
The Lady in Distress1882Painting
The Lady with Fan1880Painting
The Lady with Red Parasol1880Painting
The lampionsDate unknownDrawing
The Lamplighter1880Painting
The Lamplighter1886Drawing
The language of flowers1938Painting
The Lighthouse at Ostend1885Painting
The Magdalene1887Print
The Main Dock of Ostend1888Print
The Main Dock, Ostend1888Print
The Marquise1911Painting
The Marsh1880Painting
The Mask's Wedding1926Painting
The Master PainterDate unknownDrawing
The Melancholy Fishwives1892Painting
The Multiplication of the Fishes1891Print
The Murder1888Print
The Music in the rue de Flandre, Ostend1890Print
The Mystical Death of a Divine1880Drawing
The Old Rascals1895Print
The Old ... Raskals1895Print
The Orchard1886Print
The Oyster Eater1882Painting
The Painter Alfred William Finch1880Painting
The Painter Edouard Manet1880Drawing
The Painter Edouard ManetDate unknownDrawing
The Painter Eugène DelacroixDate unknownDrawing
The Painter Gustave CourbetDate unknownDrawing
The Painter Jan Asselijn or "Crabbetje1880Drawing
The Painter Jean François MilletDate unknownDrawing
The Pancake Woman1880Drawing
The Parasol1880Painting
The piano1880Drawing
The Pisser1886Print
The Pisser1887Print
The Playwright Emile AugierDate unknownDrawing
The Poet Jean RichepinDate unknownDrawing
The Pool of the Poplars1889Print
The Pool of the Poplars graphic1889Print
The Port of Ostend (Vue du port d'Ostende)1888Print
The Procession at Gistel1934Print
The Procession of the Penitents at Furnes1935Painting
The Ray1892Painting
The Rebel Angels Struck by Lightning1907Print
The red mullet1880Painting
The Riding CropDate unknownDrawing
The Roman TriumphDate unknownDrawing
The Rooftops of Ostend1884Painting
The rooftops of Ostend1901Painting
The Rower1883Painting
The Savoy Cabbage1884Painting
The scaffolding1880Drawing
The Scandalized Masks1883Painting
The Scavenger1896Print
The Scoundrels1896Print
The Seashells (Columbus)1895Painting
The Shadow on the House1933Print
The Skate1880Painting
The Skaters1888–1889Print
The Skaters1889Print
The Sleeper1887Print
The Small Boats1894Print
The Sombre Lady1881Painting
The Stars in the Cemetery1888Print
The strange masks1892Painting
The Street-Lamp1888Print
The strike1888Drawing
The Supper at Emmaus1880Drawing
The Temptation of Christ1888Print
The Temptation of Christ1913Painting
The Temptation of Saint Anthony1887–1888Drawing
The Temptation of Saint Anthony the Great1927Painting
The Terrible Archer1888Print
The Thunderstorm1889Print
The Tournament1894Drawing
The Tribulations of St. Anthony1909Painting
The Triumph of the Death1887Drawing
The Van Iseghemlaan in the snow1881Painting
The Vengeance of Hop-Frog1896Painting
The Virgin of Consolation1892Painting
The Wait1880Painting
The War of the Snails1911Print
The White Cloud1884Painting
The Windmill at Mariakerke1889Print
The wise judges1891Painting
The Wise Judges1894Print
The Youth of OrpheusDate unknownDrawing
Theatre of Masks1889Painting
Theatre of Masks (1908)1908Painting
Theo Hannon1880Drawing
Theo Hannon1881Painting
Theo Hannon met pijp1880Drawing
Three Silhouettes (recto)1880Painting
TijgerjachtDate unknownDrawing
Toilettafel met wasstel en spiegelDate unknownDrawing
TolstoïDate unknownDrawing
ToneelfigurenDate unknownDrawing
ToneelfiguurDate unknownDrawing
Toneelscène1910Drawing
Tovenaars in de stormwind1888Print
Town Hall of Audenaerde1888Print
Trap, man, gebladerte (detail)Date unknownDrawing
Treurende vrouw en leeuwenkop1870Drawing
Tribulations of Saint Anthony1887Painting
Triomftocht van een Romeinse VeldheerDate unknownPrint
Triomphe romain1889Print
TrommelaarDate unknownDrawing
Twee danseressenDate unknownDrawing
Twee figurenDate unknownDrawing
Twee figuren en ornamentDate unknownDrawing
Twee herenDate unknownDrawing
Twee heren en pauwDate unknownDrawing
Twee honden1894Drawing
Twee hoofddeksels en boerinnetjesDate unknownDrawing
Twee hoofdenDate unknownDrawing
Twee hoofden, paar, handDate unknownDrawing
Twee knapen in het gras1880Drawing
Twee koperen potten (verso)1880Drawing
Twee kopjes en afdrukDate unknownDrawing
Twee koppen en een hand1880Drawing
Twee militairenDate unknownDrawing
Twee naakten op de rug gezienDate unknownDrawing
Twee ridderfigurenDate unknownDrawing
Twee trappen en mandDate unknownDrawing
Twee vrouwenDate unknownDrawing
Twee vrouwen en een theoloogDate unknownDrawing
Twee windmolens, zeilboot en kleine marineDate unknownDrawing
Twee zeilbotenDate unknownDrawing
Twee zeilboten en een windmolen1950Drawing
Tweearmige pianokandelaar en muziekbladDate unknownDrawing
Two ArabsDate unknownDrawing
Two DogsDate unknownDrawing
Two draught horsesDate unknownDrawing
Two Gentlemen SmokingDate unknownDrawing
Two heads and a spinning-wheelDate unknownDrawing
Two masks1880Drawing
Two masksDate unknownDrawing
Two Nude FiguresDate unknownDrawing
Two spoons and a curtain1885Drawing
Two WomenDate unknownDrawing
Two women on a beachDate unknownDrawing
Un bon coin chez moi1938Painting
Under the Shadow of Masks1925–1937Painting
UntitledDate unknownPrint
V. De Heilige Familie (uit: Taferelen uit het leven van Christus)1921Print
V. La Sainte FamilleDate unknownPrint
Vaas en vliegende eendDate unknownDrawing
Vaas en voeten (recto)1880Drawing
Vaas met bloemenDate unknownDrawing
Vaas met bloemen en schelp1932Drawing
Vaas met bloemornamentenDate unknownDrawing
Vaas met vismotief en vrouw met bloemenvaas1880Drawing
Vaas, paard en figuren (verso)1880Drawing
Vaas, spinnewiel, soldaten, vrouwenDate unknownDrawing
Vader (?) en moeder van Ensor1870Drawing
Van Iseghemlaan, Oostende1889Print
Van Izegemlaan in Ostend1880Drawing
Varken en silhouettenDate unknownDrawing
Verhaal zonder woorden (of) De jagers in de winter1881Drawing
Verovering van een vreemde stad1888Print
Verpesting beneden, verpesting boven, verpesting overal1904Print
verzameling van 184 etsenDate unknownPrint
VI. De besnijdenis (uit: Taferelen uit het leven van Christus)1921Print
VI. La CirconcisionDate unknownPrint
Vier naaktenDate unknownDrawing
Vier schouwburgbezoekersDate unknownDrawing
View of a beach with two boatsDate unknownDrawing
View of a street with a barrow, a streetlamp and a man sitting on a benchDate unknownDrawing
View of Mariakerke1901Painting
View of Nieuport1888Print
View of Ostend in the East1888Print
View of Phnosie, luminous waves and vibrations1890Painting
View of the Ostend Harbour1888Print
View of the Van Iseghemlaan1906Painting
VII. De doop van Christus (uit: Taferelen uit het leven van Christus)1921Print
VII. Le Baptême du ChristDate unknownPrint
VIII. Christus bij de schriftgeleerden (uit: Taferelen uit het leven van Christus)1921Print
VIII. Le Christ et les docteursDate unknownPrint
Vijf personages in een boot (verso)1880Drawing
Village Fair at the Windmill1889Print
Vissen op een schotelDate unknownDrawing
Visser met paardDate unknownDrawing
VlamDate unknownDrawing
Vleugel tegen zonnestralenDate unknownDrawing
Vlucht naar Egypte1921Print
Vlugge schetsen van bedelaarsDate unknownDrawing
Voetpaadje in Groenendaal1888Print
Voetpaadje te Groenendaal1888Print
Vogel en hond bij takDate unknownDrawing
Voor de alcadeDate unknownDrawing
Voorovergebogen figuren1880Drawing
Voorovergebogen figuur en tekstDate unknownDrawing
Vrouw aan klavier en Alfred William FinchDate unknownDrawing
Vrouw die pannenkoeken baktDate unknownDrawing
Vrouw en hondjeDate unknownDrawing
Vrouw, handen en kar1881Drawing
Vrouw in profiel gezienDate unknownDrawing
Vrouw - man en paard1880Drawing
Vrouw met hoedDate unknownDrawing
Vrouw met kind, zittend en staand paarDate unknownDrawing
Vrouw met naaiwerk1880Drawing
Vrouw met neergeslagen blikDate unknownDrawing
Vrouwenhoofd1883Drawing
VrouwenhoofdDate unknownDrawing
Vrouwenhoofd en figurenDate unknownDrawing
Vrouwenhoofd en zittende figuurDate unknownDrawing
Vrouwenkop en figuurtjesDate unknownDrawing
Vrouwenkop en silhouettenDate unknownDrawing
Vrouwenprofiel (Mariette Rousseau) en andere figuren1885Drawing
Vue d'Ostende1893Painting
Vue D'Ostende à L'est1888Print
Vue de Nieuport1888Print
Vue du port d' Ostende1888Print
Waaier, lamp en figuren (recto)1880Drawing
WalkurengenoegensDate unknownDrawing
Wandelaar1883Drawing
Wasvrouwen bij de Middellandse zeeDate unknownDrawing
Weggeveegde tekeningDate unknownDrawing
Wenken der nimfen1923Drawing
WenteltrapDate unknownDrawing
White and Red Clowns Evolving1890Drawing
Willy Finch in his Studio1880Painting
Willy Finch in the Studio1880Painting
WindmillDate unknownDrawing
Windmill and boatsDate unknownDrawing
Windmill at Skykens1891Print
Windmill at Slijkens (Bredene)1891Print
Windmill at Slykens1891Print
Windmill "Den OranjenboomDate unknownDrawing
Windmolen met zeilboot en met kerkDate unknownDrawing
Windstoot in het geboomte1888Print
Wit paard, stoel en figuren1880Drawing
Witches in the Whirlwind1896Drawing
Wizards in a Squall1888Print
WomanDate unknownDrawing
Woman on a Breakwater1880Painting
Woman readingDate unknownDrawing
Woman with a Hood and a Wasp1885Drawing
Woman with Blue Shawl1881Painting
Wordly meetingDate unknownDrawing
X. Laat de kleinen tot mij komen (uit: Taferelen uit het leven van Christus)1921Print
X. Laissez venir à moi les petits enfantsDate unknownPrint
XI. Christus drijft de duivel uit bij een bezetene (uit: Taferelen uit het leven van Christus)1921Print
XI. Le Christ chassant le Démon du corps d'un possédéDate unknownPrint
XII. Christus bedaart de storm (uit: Taferelen uit het leven van Christus)1921Print
XII. Le Christ apaisant la tempêteDate unknownPrint
XIII. De wonderbare visvangst (uit: Taferelen uit het leven van Christus)1921Print
XIII. La Pêche miraculeuseDate unknownPrint
XIV. Christus loopt op het water (uit: Taferelen uit het leven van Christus)1921Print
XIV. Le Christ marchant sur la merDate unknownPrint
XIX. Christus ter berechting overgeleverd aan de schriftgeleerden (uit: Taferelen uit het leven van Christus)1921Print
XIX. Le Christ aux critiquesDate unknownPrint
XV. De intrede in Jeruzalem (uit: Taferelen uit het leven van Christus)1921Print
XV. L'entrée à JérusalemDate unknownPrint
XVI. Het Laatste Avondmaal (uit: Taferelen uit het leven van Christus)1921Print
XVI. La CèneDate unknownPrint
XVII. De judaskus (uit: Taferelen uit het leven van Christus)1921Print
XVII. Le baiser de JudasDate unknownPrint
XVIII. De bespotting van Christus (uit: Taferelen uit het leven van Christus)1921Print
XVIII. Le Christ aux outragesDate unknownPrint
XX. De geseling (uit: Taferelen uit het leven van Christus)1921Print
XX. La FlagellationDate unknownPrint
XXI. De kruisweg (uit: Taferelen uit het leven van Christus)1921Print
XXI. La montée au CalvaireDate unknownPrint
XXII. De kruisoprichting (uit: Taferelen uit het leven van Christus)1921Print
XXII. L'Élévation en croixDate unknownPrint
XXIII. Christus tussen de moordenaars (uit: Taferelen uit het leven van Christus)1921Print
XXIII. Le Christ entre les larronsDate unknownPrint
XXIV. De kruisafneming (uit: Taferelen uit het leven van Christus)1921Print
XXIV. La Descente de croixDate unknownPrint
XXIX. De Heilige Geest verlicht de apostelen (uit: Taferelen uit het leven van Christus)1921Print
XXIX. Le Saint Esprit éclairant les ApôtresDate unknownPrint
XXV. Le retour du CalvaireDate unknownPrint
XXV. Terugkeer van de Calvarieberg (uit: Taferelen uit het leven van Christus)1921Print
XXVI. Le Christ sur les genoux de sa mèreDate unknownPrint
XXVI. Piëta (uit: Taferelen uit het leven van Christus)1921Print
XXVII. Christus en de engelen (uit: Taferelen uit het leven van Christus)1921Print
XXVII. Le Christ et les AngesDate unknownPrint
XXVIII. De Hemelvaart (uit: Taferelen uit het leven van Christus)1921Print
XXVIII. L'AscensionDate unknownPrint
XXX. De Tenhemelopneming van Maria (uit: Taferelen uit het leven van Christus)1921Print
XXX. L'AssomptionDate unknownPrint
XXXI. De engelen vereren Maria (uit: Taferelen uit het leven van Christus)1921Print
XXXI. La Vierge adorée par les AngesDate unknownPrint
Yellow Apples1880Painting
Young Boy1882Drawing
Zakmes met bewerkte hechtDate unknownDrawing
ZeilbootDate unknownPainting
Zeilboot, dorpskerk en windmolenDate unknownDrawing
ZeilbootjeDate unknownDrawing
Zeilboten1890Drawing
ZeilbotenDate unknownDrawing
Zelfportret1919Drawing
Zelfportret en figuren - Ensor en zijn familie1886Drawing
Zelfportret onder leeuwenjachtDate unknownDrawing
Zelfportret ("Pas fini")1885Drawing
Zicht op Nieuwpoort1888Print
Zieke luizenbos bij de kachel1895Print
Zittend meisje en twee figuurtjes1917Drawing
Zittend naakt met gekruiste benenDate unknownDrawing
Zittende en staande heerDate unknownDrawing
Zolder, trap en mand (verso)Date unknownDrawing
Zonderlinge insecten1888Print

Frequently Asked Questions

Where was James Ensor born, and what was his family background?

His birthplace was the Belgian coastal city of Ostend, and his birth date was 13 April 1860. He was the elder child of the Englishman James Frederic Ensor and the Ostender Maria Catharina Haegheman. The family rented rooms to summer visitors and ran a shop selling souvenirs and curiosities, including shells, chinoiseries and masks. Ensor had one sister, Maria Carolina Emma, known as Mariette or Mitche. This mixed family and commercial setting helped give him objects and people to observe, although it does not provide a single explanation for his later imagery. [1][2]

Where did James Ensor train as an artist?

Following local drawing lessons in 1876, the seventeen-year-old moved from Ostend to study at Brussels’s Royal Academy. His enrolment lasted from 1877 until 1880, among future participants in progressive Belgian groups. Beyond the classroom, his friendship with Théo Hannon and the Rousseau-Hannon family introduced him to a liberal circle of artists, writers and scientists. He returned to Ostend after his studies but maintained regular contact with Brussels. [2][3]

What was Les XX, and what was Ensor’s role in it?

Les XX, also called Les Vingt or The Twenty, was an artists’ association founded in Brussels in 1883 after Ensor and other members broke from L’Essor. Ensor was a founding member. With Octave Maus as secretary, the group’s exhibitions became an important channel for Belgian and international avant-garde art. Ensor sometimes clashed with colleagues and critics, but he remained involved until the association dissolved in 1893 and opposed its closure. He later exhibited with its successor, La Libre Esthétique. [1][2]

Did James Ensor stay in Ostend all his life?

Ostend remained Ensor’s home from birth to death, apart from his years of study in Brussels, and he maintained an attic studio there from 1880. In 1917 he moved to the inherited Vlaanderenstraat house now preserved as the James Ensor House. He travelled relatively little, with limited trips to the Netherlands, London and Paris, but regularly stayed in Brussels and took part in its exhibitions and social life. Letters, collectors, publications and museum acquisitions connected him to a much wider European network. [2][3][6]

When and how did James Ensor become recognised?

Recognition accumulated in stages. He exhibited from the early 1880s and helped found Les XX in 1883, while public collections in Brussels, Dresden and Vienna bought groups of his prints during the 1890s. German artists and critics responded to his innovations around 1900; Belgian collectors and Kunst van Heden promoted him; state honours began in 1903; and monographs and retrospectives expanded his audience. In 1929 a major Brussels exhibition coincided with his application for Belgian naturalisation and his elevation to baron. Later fame should not obscure either the support he received earlier or the diversity of the work he continued to make. [1][2][10][12]

Discussion

Use this evidence-led guide as a starting point for close looking rather than a final verdict.

Share an observation about James Ensor Biography or a source that adds useful context.

Reader Insights

Close Looking

Which work most clearly complicates the familiar image of Ensor as only a painter of masks?

Context

Where do Ostend, Brussels networks or older art most productively alter your reading?

Open Question

Which source or surviving object would you investigate next?

Join the Conversation

Add your reading below, keeping observations specific and evidence clear.

References

  1. Royal Museum of Fine Arts Antwerp (KMSKA), “James Ensor”. View source; accessed 30 August 2026.
  2. Flemish Art Collection, “Biography”. View source; Herwig Todts, with contributions by Cathérine Verleysen and Robert Hoozee; Archived online museum; consulted with current institutional sources; accessed 30 August 2026.
  3. Royal Museum of Fine Arts Antwerp (KMSKA), “James Ensor Archive”. View source; accessed 30 August 2026.
  4. Royal Museum of Fine Arts Antwerp (KMSKA) and University of Antwerp, “Ensor Research Project”. View source; accessed 30 August 2026.
  5. Mu.ZEE, “Research”. View source; accessed 30 August 2026.
  6. City of Ostend, “The James Ensor House (Vlaanderenstraat 29)”. View source; accessed 30 August 2026.
  7. Museum of Modern Art, New York, “James Ensor”. View source; Anna Swinbourne; exhibition overview, 2009; accessed 30 August 2026.
  8. Royal Museum of Fine Arts Antwerp (KMSKA), “Ensor: Painter and Writer or Writing Painter?”. View source; Herwig Todts; accessed 30 August 2026.
  9. Art Institute of Chicago, “Preface”. View source; Herwig Todts; James Ensor: The Temptation of Saint Anthony; accessed 30 August 2026.
  10. Mu.ZEE, “James Ensor en de Bal du Rat Mort: Kunst, Vermaak en Liefdadigheid”. View source; (Dutch; archive-based account of Ensor’s honours); accessed 30 August 2026.
  11. Royal Museum of Fine Arts Antwerp (KMSKA), “Ensor Answers the Proust Questionnaire”. View source; Herwig Todts; accessed 30 August 2026.
  12. J. Paul Getty Museum, “James Ensor: Christ’s Entry into Brussels in 1889”. View source; Patricia G. Berman; 2002; accessed 30 August 2026.
  13. Royal Museum of Fine Arts Antwerp (KMSKA), “The Oyster Eater”. View source; accessed 30 August 2026.
  14. Flemish Art Collection and Mu.ZEE, “Self-Portrait with Flowered Hat”. View source; accessed 30 August 2026.
  15. Museum of Modern Art, New York, “Masks Confronting Death”. View source; accessed 30 August 2026.
  16. Royal Museum of Fine Arts Antwerp (KMSKA), “The Intrigue”. View source; accessed 30 August 2026.
  17. Royal Museum of Fine Arts Antwerp (KMSKA), “The Astonishment of the Mask Wouse”. View source; accessed 30 August 2026.
  18. Royal Museums of Fine Arts of Belgium, “Squelettes se disputant un hareng saur”. View source; (French collection record); accessed 30 August 2026.
  19. James Ensor Advisory Committee, “Chronology”. View source; Used only as a cross-check alongside current institutional sources; accessed 30 August 2026.
  20. Royal Museum of Fine Arts Antwerp (KMSKA), Ensor Research Project bibliography. View source; accessed 30 August 2026.
  21. Royal Museum of Fine Arts Antwerp (KMSKA), “Ensor Painted over His Own Work”. View source; accessed 30 August 2026.