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Tom Gurney BSc (Hons) is an art history expert with over 20 years experience
Published on June 19, 2020 / Updated on September 28, 2026
Email: tomgurney1@gmail.com / Phone: +44 7429 011000

About the painting

A broad brown tower rises almost to the top of Piet Mondrian's Lighthouse at Westkapelle in Brown, with a restless blue-white sky behind it. This is the small painting catalogued by RKD as A683, not the pink A684, the clouded A682 or the much larger multicolour A687. Kunstmuseum Den Haag records the same object as 0334300, oil on canvas, 45 × 35.5 cm, from the Salomon B. Slijper bequest. RKD dates A683 to 1909, while the museum gives 1909–10. Both date ranges are approximate ways of placing the work within Mondrian's concentrated Westkapelle series.[1][2]

At a glance

  • ArtistPiet Mondrian (Piet Mondriaan, 1872–1944)
  • Catalogue titleLighthouse at Westkapelle in Brown
  • Catalogue numberRKD / Welsh A683
  • Museum object numberKunstmuseum Den Haag 0334300
  • Date1909 in RKD; 1909–10 in the museum record
  • MediumOil on canvas
  • Dimensions45 cm high × 35.5 cm wide
  • Collection creditKunstmuseum Den Haag, bequest of Salomon B. Slijper[1][2]

The Westkapelle lighthouse sequence

Works
1908–091909c. 1910

Contents

  1. What does the painting show?
  2. Why did Mondrian return to this lighthouse?
  3. How does A683 differ from the other versions?
  4. What do the museum records establish?

What does the painting show?

The lighthouse fills the centre of the narrow canvas. Mondrian looks upward from close to its base, allowing the brown masonry to dominate the view. Rows of small dark window openings punctuate the tower. Near the bottom, an arched opening and low horizontal ground line bring the tall structure back to a human scale. The tower is cut tightly by the picture's top edge, increasing the sense that it continues beyond the viewer's field of vision.

Piet Mondrian, Evening: The Red Tree
Compare Mondrian’s Evening: The Red Tree. Image: Wikimedia Commons, public domain.

The brown is varied rather than flat. Reddish, muted purple and ochre patches move across the tower, while blue touches appear in some openings and shadows. The sky is likewise active: blue and white strokes shift around the masonry, with lighter passages on either side. The tower's straight rise is countered by broken, flickering marks. A strip of darker earth and vegetation at the bottom prevents the structure from appearing suspended in empty air.

The picture is small, just 45 × 35.5 cm, yet its viewpoint gives the lighthouse a monumental presence. The composition has very little horizon compared with tower and sky. Looking at the repeated windows helps measure its height; looking at the brushstrokes interrupts that measurement and brings attention back to paint. This is a close reading of the visible work, not a claim that the depicted sky records a known weather event or exact hour.[2]

Why did Mondrian return to this lighthouse?

The lighthouse at Westkapelle was one of the few Zeeland subjects Mondrian studied repeatedly during visits to the Domburg area. The Mondrian Route, developed with Kunstmuseum Den Haag and RKD, says he made five paintings and a drawing of the tower between 1908 and 1910. It also explains that the lighthouse had originally been built as a late fifteenth-century church tower. That history clarifies its distinctive masonry form: this was an adapted older structure, not a modern metal lighthouse.[3]

The same route notes that Mondrian concentrated on dunes and church towers during the summer of 1909 and that he varied his brushwork across the lighthouse pictures. A few works use short, small strokes; others rely more on longer sketchy strokes. In A683, the broken strokes in the tower and sky are readily visible. The repetition of one motif let Mondrian change colour, viewpoint and handling while keeping the underlying structure recognisable.[3]

Kunstmuseum Den Haag's By the Sea exhibition account places Mondrian among artists visiting Zeeland between 1908 and 1915, including Jan Toorop and Jacoba van Heemskerck. It describes the area's dunes, sea and built landmarks as recurring subjects. That wider context helps explain why this tower was attractive, but it does not prove that A683 was finished entirely outdoors. The Mondrian Route says he often returned to Zeeland works in his Amsterdam studio and suggests that some lighthouse paintings were among those he revisited; it does not identify A683 as one of them with certainty.[3][4]

Watch: Piet Mondrian

See his studio, the move toward geometric abstraction and the rhythms of his New York paintings.

How does A683 differ from the other versions?

RKD keeps the Westkapelle works distinct. A682, Lighthouse at Westkapelle with Clouds, is dated 1908–09 and is Kunstmuseum object 0334285. A683 is the brown tower shown here, object 0334300. A684, Lighthouse at Westkapelle in Pink, is object 0334295. A686 is a 1909 drawing. A687, Lighthouse at Westkapelle in Orange, Pink, Purple and Blue, dates to about 1910 and is object 0334301. These catalogue numbers prevent the different pictures' dates, materials and dimensions from being transferred to one another.[1]

This painting's relatively small scale and restrained brown tower are important identifying features. The pink A684 is another small work, but its title reflects a different colour emphasis. A687 is a much taller 135 × 75 cm oil canvas according to Kunstmuseum Den Haag's exhibition text. A viewer searching for “Mondrian Westkapelle lighthouse” may encounter all of them. The local pages for the pink version, multicolour version and clouded version provide separate routes for those works.[1][5]

The sequence need not be forced into a simple story in which each work is more abstract than the last. RKD's dates overlap, and the pictures differ in support, scale, colour and handling. A683 retains many masonry details, yet the rapidly worked sky and shifting brown surface already make colour and brushwork central to what the viewer sees. Those qualities can be described directly without claiming an undocumented fixed order of execution.

What do the museum records establish?

The museum's object number 0334300 anchors the painting's measurements, material and collection credit. It calls the work Lighthouse at Westkapelle, rather than adding “in Brown,” and dates it 1909–10. RKD uses the colour-qualified title, ties A683 to the same museum object number and dates it 1909. This page uses the more specific catalogue title to distinguish neighbouring versions, while retaining the museum's object facts and displaying the date difference clearly.[1][2]

The Salomon B. Slijper bequest credit is a collection statement, not a complete provenance or current gallery location. The museum's public record establishes ownership, but exhibition placement can change. The existing site image is sufficient to identify and discuss this work; the page does not require a new photograph or uncertain permission to present the documented facts.

Mondrian artworks directory

98 artworks

NameDateMedium
Red Amaryllis with Blue Background1907–1930Artwork
Apple Tree in Blue1908-1909Painting
Apple Tree, Pointillist Version1908-1909Painting
Apple Tree in Blue with Wavy Lines I1908Painting
Avond (Evening): The Red Tree1908-1910Painting
Beach with Five Piers at Domburg1909Painting
Beach with One Pier at Domburg1909Painting
Beach with Three or Four Piers at Domburg1909Painting
Broadway Boogie Woogie1942-1943Painting
Broekzijder Mill in the Evening1906Painting
Portrait of Carolus Marinus Johannes Willem van RijnendisputedPainting
Chrysanthemum (Cleveland, C46)1906–1942?Artwork
Chrysanthemum (C47)c. 1906–1907?Artwork
Church Tower at Domburg1911Painting
Composition 10 in Black and White1915Painting
Composition 81914Painting
Composition A1919–20Painting
Composition B (No.II) with Red1935Painting
Composition C (No.III) with Red, Yellow and Blue1935Painting
Tableau II (1921, B129)1921Painting
Composition in Colour A1917Painting
Composition in Oval with Color Planes I1914Painting
Composition in White and BluePainting
Composition in White, Black and RedPainting
Composition No 1, Gray, Red1935Painting
Composition No.101939–1942Painting
Composition No II1913Painting
Composition No. III, with Red, Blue, Yellow, and Black1929Painting
Composition No.IV / Composition 61914Painting
Composition Trees 21912–1913Painting
Composition with Red, Blue and Yellow1930Painting
Duinlandschap (Dune Landscape)1911Painting
Dune IV1909Painting
Dune Sketch in Bright Stripes1909Painting
Farm Near Duivendrecht1916Painting
Five Tree Silhouettes along the Gein with Moon1907-1908Painting
Flowering (Blossoming) Apple Tree1912Artwork
Flowering Trees1912Artwork
Gladioli in a Bottle1906Artwork
GladiolusArtwork
Gray Tree1911Painting
Haystack with Willow TreesPainting
H.H. van Aalst-Haagedoorn1910Painting
Lighthouse at Westkapelle in Brown, 19091909Painting
Lighthouse at Westkapelle in Orange, Pink, Purple and Blue, circa 19101910Painting
Lighthouse at Westkapelle in Pink, 19091909Painting
Lighthouse at Westkapelle with Clouds, 1908-19091908-1909Painting
Portrait of Louise Charlotte Mathilde van den BoschdisputedPainting
Lozenge Composition with Yellow, Black, Blue, Red, and Gray1921Painting
Portrait of Ludwig Wilhelm Schöffer1905Painting
New York City (1942, B301)1942Painting
Ocean 51915Painting
Oostzijdse Mill along the River Gein by Moonlight1903Painting
Oostzijdse Mill in Moonlight1907Painting
Oostzijdse Mill with Extended Blue, Yellow and Purple Sky1907Painting
Oostzijdse Mill with Panoramic Sunset and Brightly Reflected Colours1907-1908Painting
Oranges and Decorated Plate1900Artwork
Pointillist Dune Study, Crest at Centre1909Painting
Pointillist Dune Study, Crest at Left1909Painting
Pointillist Dune Study, Crest at Right1909Painting
Portrait of Egbert KuipersPainting
Red, Blue, Yellow CompositionPainting
Red, Yellow and BluePainting
RhytmusPainting
Sans TitrePainting
Sea toward Sunset1909Painting
Seascape1909Painting
Self Portrait (1900)1900Painting
Self Portrait (1918)1918Painting
SerigraphPrint
S.J.C. van Aalst1910Painting
Stammer Mill with Streaked Sky1905-1907Painting
Still Life with Apples, a Pot with Flowers and a Metal PanArtwork
Still Life with Gingerpot 21912Artwork
Still Life with Gingerpot I1911Artwork
Sun, Church in Zeeland, Zoutelande Church Facade1909Painting
Tableau 2Painting
Tableau IPainting
Tableau No 2 Composition No V1914Painting
Tableau No. 2/Composition No. VIIPainting
Tableau No IV Lozenge Composition with Red, Gray, Blue, Yellow, and BlackPainting
Tableau (Yellow, Black, Blue, Red and Grey)Painting
The Red MillPainting
Three Haystacks in a Field1907Painting
Trafalgar SquarePainting
The Tree A1913Painting
Truncated View of the Broekzijder MillPainting
Two Arum LiliesArtwork
Two Chrysanthemum Blossoms1899-1900Artwork
Victory Boogie Woogie1942-1944Painting
View from the Dunes with Beach and Piers, Domburg1909Painting
View of WinterswijkPainting
White Phloxes1899-1900Artwork
Willow Grove: Impression of Light and Shadow1905Painting
Windmill in SunlightPainting
Woods near Oele1907Painting
Yellow Chrysanthemums in a Ginger Pot1898Artwork
Composition II (1929, Belgrade)1929Painting

Frequently asked questions

When did Mondrian paint Lighthouse at Westkapelle in Brown?

RKD dates A683 to 1909; Kunstmuseum Den Haag dates object 0334300 to 1909–10.[1][2]

Where is the original painting?

It belongs to Kunstmuseum Den Haag, object 0334300, credited to the Salomon B. Slijper bequest.[2]

How large is it and what is it made of?

The museum records oil on canvas, 45 cm high by 35.5 cm wide.[2]

Is it the same painting as the pink lighthouse?

No. RKD identifies the brown version as A683 / 0334300 and the pink version as A684 / 0334295.[1]

Was the lighthouse originally a church tower?

Yes. The Mondrian Route describes it as a late fifteenth-century church tower later used as a lighthouse.[3]

Discussion

Which section of the lighthouse first draws your eye?

Reader Insights

Close Looking

Follow the windows up the brown tower. Where does your eye stop?

Balance

How does the broken blue-white sky change the tower?

Compare the Works

How does this A683 view differ from the separate pink A684?

Join the Conversation

Share what you notice in this painting below.

References

  1. RKD – Netherlands Institute for Art History, digital Mondrian catalogue, “City scapes (A677–A692),” distinguishing lighthouse works A682, A683, A684, A686 and A687 and linking A683 to museum object 0334300. View source.
  2. Kunstmuseum Den Haag, collection record, Lighthouse at Westkapelle, object 0334300: oil on canvas, 45 × 35.5 cm, 1909–10 and Slijper bequest. View source.
  3. Mondrian Route, “Westkapelle lighthouse,” developed in collaboration with Kunstmuseum Den Haag and RKD; site history, five paintings and a drawing, and changing brushwork. View source.
  4. Kunstmuseum Den Haag, “By the Sea,” exhibition account on Zeeland's artists and coastal landmarks. View source.
  5. Kunstmuseum Den Haag, “Mondrian to Dutch Design: 100 Years of De Stijl,” caption giving the larger 1910 lighthouse version's 135 × 75 cm size. View source.
  6. Lead image credit. Piet Mondrian, Lighthouse at Westkapelle in Brown, RKD A683, oil on canvas, 45 × 35.5 cm; Kunstmuseum Den Haag 0334300, Slijper bequest.